Guillaume Dufay, La Reverdie's 'Resvelliés vous et faites chiere lye' had a release date set for 1993. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Resvelliés vous et faites chiere lye's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in La Reverdie's "Knights, Maids and Miracles: The Spring of Middle Ages" album is number 18 out of 93. On top of that, France appears to be the country where this track was created. In terms of popularity, Resvelliés vous et faites chiere lye is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Resvelliés vous et faites chiere lye by Guillaume Dufay, La Reverdie to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Farnabys Humour | Giles Farnaby, Harmonia Recorder Ensemble | G Major | 0 | 9B | 68 BPM | ||
| Viderunt omnes No. 1: ...Salutare suum ante conspectum gentium revelavit... | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 77 BPM | ||
| Kyrie | Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 76 BPM | ||
| The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
| Je me complains piteusement | Guillaume Dufay, Ensemble Gilles Binchois, Dominique Vellard | D Minor | 1 | 7A | 80 BPM | ||
| J'ayme trop mieux souffrir la mort | Guillaume Costeley, Claire Lefilliâtre, Bruno Le Levreur, Serge Goubioud, Marc Mauillon, Marco Horvath, Le Poème Harmonique, Vincent Dumestre | C Major | 0 | 8B | 80 BPM | ||
| Viderunt omnes No. 1: Notum fecit... (2-part organum) | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 135 BPM | ||
| Fantasia in 6 parts (MB 48 No. 33) | Orlando Gibbons, Fretwork | C Minor | 1 | 5A | 72 BPM | ||
| Re di Spagna (Arr. for Wind Ensemble and Percussion by Pascale Boquet) | Antonio Cornazzano, Into the Winds | B♭ Minor | 2 | 3A | 234 BPM | ||
| Reis glorios | Giraut de Bornelh, Ensemble Celadon, Paulin Bundgen, Clara Coutouly | B♭ Minor | 0 | 3A | 112 BPM | ||
| Airs à deux parties: Sarabande. "Le digne objet pour qui mon coeur soupire" | Joseph Chabanceau de La Barre, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
| J’aim sans penser laidure | Guillaume de Machaut, Marc Mauillon, Pierre Hamon, Viva Biancaluna Biffi, Angélique Mauillon, Michaël Grébil | G Major | 0 | 9B | 109 BPM | ||
| Viderunt omnes No. 2: Notum fecit... (2-part organum) | Léonin, Tonus Peregrinus, Antony Pitts | A♭ Major | 3 | 4B | 86 BPM | ||
| Musicha son / Già furon / Ciascun vuol | Francesco Landini, Anna Danilevskaia, Sollazzo Ensemble | A♭ Major | 0 | 4B | 112 BPM | ||
| A vous, douce debonnaire (Rondeau) W! | Jehan de Lescurel, Ensemble Gilles Binchois, Dominique Vellard | D♭ Major | 0 | 3B | 136 BPM | ||
| Folia. Recercada 8ª | Diego Ortiz, La Reverencia | C Major | 4 | 8B | 126 BPM | ||
| A l'entrant d'este | Blondel De Nesle, Estampie, Graham Derrick | C Major | 0 | 8B | 133 BPM | ||
| Tout par compas suy composés | Baude Cordier, Ferrara Ensemble, Crawford Young | E Minor | 0 | 9A | 90 BPM | ||
| J’avois juré l’autre jour / Acis et Galatée, Prologue: Rigaudon / Suitte du Rigaudon / Double du Rigaudon fait par Mr Couprain | Bertrand de Bacilly, Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
| Lachrimae or Seven Tears: III. Lachrimae gementes | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Im Maien | Piffaro | E Minor | 4 | 9A | 119 BPM | ||
| Nella partita | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 114 BPM | ||
| Ah, alas you salt sea gods | Richard Farrant, Catherine King, The Rose Consort Of Viols | A♭ Minor | 0 | 1A | 96 BPM | ||
| Terpsichore*: Gaillarde | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 63 BPM | ||
| Ave corpus sanctum gloriosi Stefani / Adolescens protomartir | Marchettus de Padua, La Reverdie, Claudia Caffagni | C Major | 1 | 8B | 138 BPM |