"Star Carol" by John Rutter, City of London Sinfonia, Polyphony, Stephen Layton had its release date on October 1, 2001. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Star Carol's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Polyphony, John Rutter, City of London Sinfonia, John Jacob Niles, Stephen Layton, William J. Kirkpatrick, Franz Xaver Gruber's "John Rutter: Music for Christmas" album is number 15 out of 22. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Star Carol is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Star Carol by John Rutter, City of London Sinfonia, Polyphony, Stephen Layton to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Esti dal (Evening Song) | Zoltán Kodály, Pécs Chamber Choir, Aurél Tillai | D Major | 2 | 10B | 102 BPM | ||
| Alleluia jubilate | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | A Minor | 1 | 8A | 160 BPM | ||
| Requiem in D Minor, Op. 48: I. Introit et Kyrie | Gabriel Fauré, John Rutter, Simon Standage, John Scott, City of London Sinfonia, The Cambridge Singers | G Major | 1 | 9B | 83 BPM | ||
| The Apostles, Op. 49: Prologue (The Spirit of the Lord Is upon Me) | Edward Elgar, John Rutter, Andrew Lucas, The Cambridge Singers | D Major | 2 | 10B | 108 BPM | ||
| A Hymn to the Virgin | Benjamin Britten, Phoenix Chorale, Charles Bruffy, Kira Rugen, Amy Perciballi, Robert Comeaux, David Topping | E Major | 0 | 12B | 88 BPM | ||
| For the beauty of the earth | John Rutter, New London Children's Choir, Alexander Wells, Ronald Corp | B♭ Major | 2 | 6B | 82 BPM | ||
| Woodland Suite: III. Moon-Fairy | George Dyson, BBC Symphony Orchestra, Richard Hickox | A Major | 0 | 11B | 74 BPM | ||
| Lord, For Thy Tender Mercy's Sake | Richard Farrant, The Cambridge Singers, John Rutter | D♭ Major | 1 | 3B | 128 BPM | ||
| Quatre petites prières de Saint François d’ Assise: I. Salut Dame Sainte | Francis Poulenc, Netherlands Chamber Choir | C Minor | 3 | 5A | 133 BPM | ||
| Requiem in D Minor, Op. 48: III. Sanctus | Gabriel Fauré, John Rutter, Simon Standage, John Scott, City of London Sinfonia, The Cambridge Singers | G Major | 1 | 9B | 83 BPM | ||
| The Winter's Tale, Op. 18: I. Siciliana | Lars-Erik Larsson, Jerker Johansson, Göteborg Wind Orchestra | E Minor | 1 | 9A | 144 BPM | ||
| To Seek Where Shadows Are: III. In The Bleak Midwinter | Paul Mealor, Voce, Mark Singleton | B Major | 0 | 1B | 137 BPM | ||
| Requiem: V. Confutatis | Karl Jenkins, Nicole Tibbels, Serendipity, Cor Caerdydd & Cytgan, West Kazakhstan Philharmonic Orchestra, Marat Bisengaliev, Clive Bell, Catrin Finch, Tim Thorne, Timothy Rhys-Evans, Gary Kettel | F Major | 1 | 7B | 145 BPM | ||
| Notre Père | Maurice Duruflé, Thierry Escaich, Le Madrigal De Paris, Pierre Calmelet | C Minor | 1 | 5A | 87 BPM | ||
| Joyful, Joyful We Adore Thee | Henry Van Dyke, Ludwig van Beethoven, Edward Hodges, Choir of Jesus College, Cambridge, Richard Pinel | A Major | 2 | 11B | 112 BPM | ||
| 3 Spirituals for Orchestra: No. 2, Kum Ba Ya | Adolphus Hailstork, Virginia Symphony Orchestra, Joann Falletta | D Minor | 0 | 7A | 172 BPM | ||
| Song for Athene | John Tavener, John Rutter, The Cambridge Singers | D Major | 2 | 10B | 108 BPM | ||
| Ave Maria, Op. 2, No. 2 | Edward Elgar, Jonathan Vaughn, Choir of St. John's College, Cambridge, Christopher Robinson | B♭ Major | 1 | 6B | 85 BPM | ||
| III. Aria | John Rutter, Duke Dobing, Wayne Marshall, City of London Sinfonia | E Minor | 0 | 9A | 66 BPM | ||
| Seek Ye First the Kingdom of God | Kerensa Briggs, Anna Lapwood, The Pembroke College Girls' Choir | E Major | 1 | 12B | 74 BPM | ||
| The Mass: Laudamus Te | Patrick Cassidy | D Minor | 1 | 7A | 83 BPM | ||
| 23. Psalm | Sjaella | F Major | 1 | 7B | 83 BPM | ||
| Duruflé: Requiem, Op. 9: VIII. Lux æterna | Maurice Duruflé, Michel Plasson, Orchestre Du Capitole De Toulouse, Marie-Claire Alain, Orfeon Donostiarra | B♭ Major | 0 | 6B | 123 BPM | ||
| There's a Wideness in God's Mercy | Calvin Hampton, Beverly Hills All Saints' Church Choir, Craig Phillips, Thomas Foster | F♯ Minor | 0 | 11A | 76 BPM | ||
| All-Night Vigil, Op. 37: VI. Rejoice, O Virgin Theotokos | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Joseph Warner | E Major | 0 | 12B | 80 BPM |