Ravi Shankar's 'Raag Charukauns Gat In Teental Ektal' had a release date set for June 25, 2025. This song appears to be safe for all ages as it is not explicit. The track order of this song in Ravi Shankar's "Incredible Ravi Shankar" album is number 2 out of 3. On top of that, India appears to be the country where this track was created. The popularity of Raag Charukauns Gat In Teental Ektal is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Raag Charukauns Gat In Teental Ektal by Ravi Shankar to be Presto (very, very fast) because the track has a tempo of 184 BPM, a half-time of 92BPM, and a double-time of 368 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Anth Bahar Di | Ustad Noor Bakhsh, Zeeshan | D Minor | 6 | 7A | 118 BPM | ||
| Mahaa Mrityunjaya | Ravi Shankar | G Major | 2 | 9B | 103 BPM | ||
| Raga Aberi Track 07 | L. Shankar | B♭ Minor | 6 | 3A | 92 BPM | ||
| Ganges | Downing And Mayer | D♭ Major | 4 | 3B | 99 BPM | ||
| Vo Kuch | Kiran Ahluwalia | F♯ Major | 3 | 2B | 93 BPM | ||
| Raga Mand | Shahid Parvez | D♭ Major | 3 | 3B | 142 BPM | ||
| Hori in Kukubh Bilawal | Ali Akbar Khan | C Major | 2 | 8B | 128 BPM | ||
| Bhimpalasi | Shruti Sadolikar | D♭ Major | 4 | 3B | 177 BPM | ||
| Bhojpuri | Paban Das Baul, Gour Khepa, Nimai Goswami, Mimlu Sen | F Minor | 2 | 4A | 121 BPM | ||
| Alhaiya Bilaval | Shruti Sadolikar | D♭ Major | 4 | 3B | 150 BPM | ||
| Thumri - Kaun Gali Gayo Shyam | Prabha Atre | G Minor | 1 | 6A | 89 BPM | ||
| The Seventh Eclipse | Prem Joshua | F♯ Minor | 3 | 11A | 176 BPM | ||
| Shri Saraswati Stuti | Veena Sahasrabuddhe | F♯ Major | 2 | 2B | 137 BPM | ||
| Nindiya Na Aye Sham - Pahadi - Keharwa | Lakshmi Shankar, Shyam Kani, Liaqat Ali Khan | F♯ Minor | 5 | 11A | 85 BPM | ||
| Rang | Bickram Ghosh, Kala Ramnath, Rajhesh Vaidhya | C Major | 5 | 8B | 76 BPM | ||
| Jogiya | Hariprasad Chaurasia | A Minor | 1 | 8A | 101 BPM | ||
| Journey to Sedna | Baluji Shrivastav | B♭ Minor | 2 | 3A | 121 BPM | ||
| Papa Tau (A Tribute to Papa Tau Moe) | Debashish Bhattacharya | G Major | 1 | 9B | 94 BPM | ||
| Durga | Shruti Sadolikar | D♭ Major | 4 | 3B | 173 BPM | ||
| Romantic Dhun | Vishwa Mohan Bhatt, Sukhvinder Singh Namdhari | G Major | 2 | 9B | 146 BPM | ||
| Raga Kirwani - Alap Gat - Teental | Iqubal Huein, Brij Narayan | E♭ Major | 7 | 5B | 120 BPM | ||
| Namah Shivaya [East Greets East] | Ravi Shankar, Hozan Yamamoto, Alla Rakha | C Major | 1 | 8B | 92 BPM | ||
| Siva Siva | L. Subramaniam, S. Ramesan Nair, M. G. Sreekumar, Kavita Subramaniam | G Major | 5 | 9B | 148 BPM | ||
| Bhagyada Lakshmi Baaramma - Madhyamavati - Adi Tala | Kadri Gopalnath, Pravin Godkhindi | B♭ Minor | 9 | 3A | 82 BPM | ||
| Meevalla | E. Gayathri | B Minor | 8 | 10A | 180 BPM |