"Увертюра к опере "Золушка"" by Джоаккино Антонио Россини, Московский камерный оркестр, Константин Орбелян had its release date on July 29, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in Россини, so we believe that "Увертюра к опере "Золушка"" is a single. The popularity of Увертюра к опере "Золушка" is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Увертюра к опере "Золушка" by Джоаккино Антонио Россини, Московский камерный оркестр, Константин Орбелян is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Orchestervorspiel | Berliner Philharmoniker, Chor der Deutschen Oper Berlin | A Major | 2 | 11B | 119 BPM | ||
| Die Hochquelle, Op. 114 | Eduard Strauss, Czech Philharmonic Chamber Orchestra, John Georgiadis | A♭ Major | 1 | 4B | 119 BPM | ||
| 序曲「ローマの謝肉祭」(ベルリオーズ) | Hector Berlioz, ポール・フリーマン, Czech National Symphony Orchestra | B♭ Major | 3 | 6B | 146 BPM | ||
| Dvořák: 8 Slavonic Dances, Op. 46, B. 83: No. 8 in G Minor | Antonín Dvořák, Lorin Maazel, Berliner Philharmoniker | A♭ Major | 0 | 4B | 65 BPM | ||
| La Gioconda / Act 1: Preludio | Amilcare Ponchielli, National Philharmonic Orchestra, Bruno Bartoletti | F Major | 0 | 7B | 133 BPM | ||
| Aida, Act II: Dance of the Moorish Slaves - Vieni, sul crin ti piovano | Giuseppe Verdi, Elena Obraztsova, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A♭ Major | 0 | 4B | 81 BPM | ||
| Aida: Preludio | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | A♭ Major | 0 | 4B | 81 BPM | ||
| Bartók: 6 Romanian Folk Dances, Sz. 56 (Orch. Székely) | Béla Bartók, Sir Charles Mackerras, Philharmonia Orchestra | D Major | 2 | 10B | 83 BPM | ||
| Giselle / Act 2: No. 13 Entrée de Loys | Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 98 BPM | ||
| Увертюра к опере "Синьор Брускино" | Джоаккино Антонио Россини, Московский камерный оркестр, Константин Орбелян | A Major | 1 | 11B | 127 BPM | ||
| La Boutique Fantasque: Cancan | Gioachino Rossini, Orchestre Symphonique de Montréal, Charles Dutoit | A Major | 2 | 11B | 94 BPM | ||
| Brahms: Hungarian Dances, WoO 1: No. 6 in D Major (Orch. Parlow) | Johannes Brahms, Sir Charles Mackerras, Philharmonia Orchestra | D Major | 2 | 10B | 83 BPM | ||
| Der Rosenkavalier, Op. 59, TrV 227 / Act I: Introduction | Richard Strauss, Staatskapelle Dresden, Karl Böhm | D Major | 1 | 10B | 105 BPM | ||
| Montgomery Variations: III. March | Margaret Bonds, Philadelphia Orchestra, Yannick Nézet-Séguin | G Minor | 1 | 6A | 106 BPM | ||
| Luisa Miller: Overture | Giuseppe Verdi, National Philharmonic Orchestra, Peter Maag | D Minor | 2 | 7A | 137 BPM | ||
| Swan Lake Scene (Swan Theme) | The Regency House Orchestra | G Major | 3 | 9B | 93 BPM | ||
| Khachaturian: Suite No. 1 from Spartacus: III. Variation of Aegina - Bacchanalia | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | E♭ Minor | 2 | 2A | 129 BPM | ||
| 踊る人形 | Ede Poldini, Sir Charles Groves, フィルハーモニア管弦楽団 | D Major | 1 | 10B | 87 BPM | ||
| Tritsch Tratsch Polka, Op. 214 | Johann Strauss, Bonn Classic Ensemble | B Major | 3 | 1B | 83 BPM | ||
| Roma Orchestre Suite No.3: Andante molto | Georges Bizet, Paavo Järvi, Orchestre de Paris | C Major | 0 | 8B | 88 BPM | ||
| 酋長の行列 〜組曲「コーカサスの風景」作品10より | Mikhail Ippolitov-Ivanov, Sir Charles Groves, フィルハーモニア管弦楽団 | E Major | 1 | 12B | 173 BPM | ||
| Coppélia, Act II: No. 16, Boléro | Léo Delibes, Minnesota Orchestra, Antal Doráti | G Major | 4 | 9B | 217 BPM | ||
| Rusalka, Op. 114 / Act 2: Slavnosti hudba - balet | Antonín Dvořák, Franz Hawlata, Czech Philharmonic, Sir Charles Mackerras | F Major | 3 | 7B | 85 BPM | ||
| Grieg: Suite from Peer Gynt No. 1, Op. 46: IV. In the Hall of the Mountain King | Edvard Grieg, Desire-Emile Inghelbrecht, Orchestre National Radiodiffusion Française | E Minor | 1 | 9A | 114 BPM | ||
| Victoria and Merrie England: Scene VII - 1897 - Britain's Glory: Finale: Britannia - The Albert Memorial - God Save The Queen | Arthur Sullivan, RTE Sinfonietta, Andrew Penny | B Major | 1 | 1B | 144 BPM |