- BPM
- 142
- Key
- C Minor
- Camelot
- 5A
Elegy for J.F.K. by Igor Stravinsky Song Details
"Elegy for J.F.K." by Igor Stravinsky had its release date on 1948. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 148 in the song's album "The Original Jacket Collection: Stravinsky Conducts Stravinsky - The Classic LP Recordings". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. Based on our statistics, Elegy for J.F.K.'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Elegy for J.F.K. by Igor Stravinsky having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
Music Key
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -33.123 dB
- Acousticness
- 98%
- Danceability
- 14%
- Energy
- 0%
- Instrumentalness
- 1%
- Liveness
- 10%
- Loudness
- 45%
- Speechiness
- 5%
- Valence
- 5%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Japanese Suite, Op. 33, H. 126: II. Ceremonial Dance | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM | |
 | Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | |
 | Prince Igor: Polovtsian Dances (Version for Chorus) | Alexander Borodin, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 2 | 11B | 110 BPM | |
 | Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Sehr langsam und gedehnt ("der grosse Appell") | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | D♭ Minor | 0 | 12A | 67 BPM | |
 | L'Arlésienne Suite No. 1, WD 40: II. Minuetto | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 175 BPM | |
 | Pictures at an Exhibition (Orch. Ravel): VIIIa. Catacombae "Sepulcrum romanum" | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Minor | 0 | 10A | 67 BPM | |
 | Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli | G Minor | 1 | 6A | 65 BPM | |
 | Petrouchka: Fête populaire de la semaine grasse | Ferenc Fricsay, Berliner Philharmoniker | B♭ Major | 5 | 6B | 73 BPM | |
 | Symphony No. 2 in D Major, Op. 43: III. Vivacissimo | Jean Sibelius, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 98 BPM | |
 | Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | E♭ Major | 0 | 5B | 128 BPM | |
 | Dvořák: The Water Goblin, Op. 107, B. 195: I. Allegro vivo | Antonín Dvořák, Sir Simon Rattle, Berliner Philharmoniker | E Minor | 0 | 9A | 141 BPM | |
 | Symphony in C Major, Op. 46: II. Sehr langsam - | Hans Pfitzner, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 87 BPM | |
 | Tragic Overture, Op. 81 | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | D Minor | 1 | 7A | 85 BPM | |
 | Nocturnes, CD 98: I. Nuages | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 83 BPM | |
 | The Firebird (L'oiseau De Feu) - Suite (1919): Berceuse | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A♭ Minor | 0 | 1A | 135 BPM | |
 | Pines Of Rome, P. 141: 2. The Pines Near A Catacomb | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | E Minor | 0 | 9A | 79 BPM | |
 | Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: VII. Death of Tybalt | Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons | G Major | 1 | 9B | 122 BPM | |
 | Symphony No. 1 in B-Flat Minor: II. Scherzo. Presto, con malizia | William Walton, London Symphony Orchestra, Sir Colin Davis | F Major | 2 | 7B | 153 BPM | |
 | Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: II. Andantino in moto di canzone | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | B♭ Minor | 0 | 3A | 82 BPM | |
 | The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | |
 | String Quartet No. 8 in C Minor, Op. 110: I. Largo | Dmitri Shostakovich, Borodin Quartet | C Minor | 1 | 5A | 114 BPM | |
 | Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | |
 | Gayane Suite No. 3: V. Solo - Love Duet | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D Major | 3 | 10B | 175 BPM | |
 | Piano Concerto in G Major, M. 83: I. Allegramente | Maurice Ravel, Krystian Zimerman, The Cleveland Orchestra, Pierre Boulez | D Major | 1 | 10B | 129 BPM | |
 | Nocturnes, L. 91: II. Fêtes (Arr. by Denis Herlin) | Claude Debussy, Denis Herlin, Hallé, Sir Mark Elder | A Major | 0 | 11B | 88 BPM |
- ISRC
- USSM16401046
- Label
- L-M Records/RCA Records