Stay Out's 'Distraught' had a release date set for August 13, 2019. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Distraught's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 12 in Always Late by Stay Out. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Distraught's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Distraught by Stay Out is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sleepy Floyd | Stay Out | E♭ Major | 9 | 5B | 100 BPM | ||
| Black and White | The Sleights | F Minor | 9 | 4A | 185 BPM | ||
| Running out of Time | Missing Since Monday | B♭ Major | 10 | 6B | 104 BPM | ||
| A Little Left | Dear Landlord | D Major | 8 | 10B | 97 BPM | ||
| Smashing Kebabs | Nerdlinger | C Major | 3 | 8B | 68 BPM | ||
| apologies | BLUSH | G Major | 9 | 9B | 188 BPM | ||
| Stereotype Rich Kid | No Guidance | F♯ Minor | 10 | 11A | 200 BPM | ||
| Time After Time | MONKEYSHOP | G Major | 9 | 9B | 188 BPM | ||
| REAL | Mercy Music | A Minor | 9 | 8A | 102 BPM | ||
| I'm So Tired | Manicdotes | G Major | 9 | 9B | 188 BPM | ||
| Thinking About Tomorrow | Everyone Lies | G Major | 10 | 9B | 122 BPM | ||
| The Light | All The Wasted Years | B♭ Minor | 10 | 3A | 150 BPM | ||
| 27 Seconds | Hike The Peak, Deadheat | D Minor | 9 | 7A | 202 BPM | ||
| Tempest’s End | RiftFire MidnightBand | C Major | 7 | 8B | 178 BPM | ||
| 50 First Dates | Sorry Sweetheart | D Major | 9 | 10B | 136 BPM | ||
| Life's So Lonely | Stay Out, The Queers | B Major | 9 | 1B | 115 BPM | ||
| CyberBrain | The Haermorrhoids | B Major | 9 | 1B | 158 BPM | ||
| Poison Mind | Hell Beach | A Major | 8 | 11B | 125 BPM | ||
| Brothers | Bridge The Gap | G Major | 10 | 9B | 168 BPM | ||
| Over Me | HEARTWELLS | A Major | 10 | 11B | 144 BPM | ||
| Borrowed Time | Limits of Approach | E Minor | 9 | 9A | 109 BPM | ||
| Berkeley Nights | Stay Out | G Major | 10 | 9B | 100 BPM | ||
| Don’t Let It Take Me | The Dollheads | A Major | 10 | 11B | 157 BPM | ||
| Ain't Nobody | Dead Neck | B Major | 10 | 1B | 175 BPM | ||
| Ballerinas | Middle-Out | E Minor | 6 | 9A | 160 BPM |