Peder's 'Balance Back Down Next To Me' had a release date set for February 10, 2023. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 11 in Between the Ocean and the Snow (Volume 1) by Peder. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. Balance Back Down Next To Me is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Balance Back Down Next To Me by Peder is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Here & Now | The Black Angels | B Minor | 6 | 10A | 137 BPM | ||
| The Blind | Gabriels | C Major | 3 | 8B | 80 BPM | ||
| Hunter | The Saxophones | E Minor | 2 | 9A | 180 BPM | ||
| Drifting | Frank Popp Ensemble, Lucy Kruger & The Lost Boys | A Minor | 8 | 8A | 130 BPM | ||
| Heroine | Ameli in the Woods | F♯ Minor | 3 | 11A | 162 BPM | ||
| She Is Coming (Radio Edit) | Later. | F♯ Major | 4 | 2B | 107 BPM | ||
| Differences Aside | Loverman | E Major | 4 | 12B | 129 BPM | ||
| Well Well | Warhaus | G Major | 5 | 9B | 91 BPM | ||
| The Vibes Ain't Nothin' But The Vibes | Barry Adamson | A Minor | 4 | 8A | 108 BPM | ||
| Empty Hands | Ishmael Ensemble | G Major | 5 | 9B | 109 BPM | ||
| The Final Note | Wax Tailor | C Minor | 5 | 5A | 126 BPM | ||
| Candyman | Loverman | F Minor | 3 | 4A | 130 BPM | ||
| Fire in My Heart | Peder | D Minor | 2 | 7A | 128 BPM | ||
| I Want Everything | Ratso, Yasmine Hamdan | A Minor | 5 | 8A | 160 BPM | ||
| Smokeless Fire | Octave Lissner | G Major | 5 | 9B | 144 BPM | ||
| Mangrove | Skjold, Peder | G Minor | 3 | 6A | 127 BPM | ||
| Play Me Again | Tanita Tikaram | D Minor | 3 | 7A | 123 BPM | ||
| Made from Love with Far To Go | The Veils | F♯ Minor | 5 | 11A | 111 BPM | ||
| Shadows of the Dark | Gizmo Varillas | E Minor | 6 | 9A | 100 BPM | ||
| Je t'aime beaucoup | Waldeck, Patrizia Ferrara | C Major | 3 | 8B | 64 BPM | ||
| That Good Old Tomorrow | Wax Tailor | B♭ Minor | 7 | 3A | 168 BPM | ||
| The Tempter | Rhi | D♭ Major | 8 | 3B | 140 BPM | ||
| Ten-storey Falling | Jonathan Jeremiah | A Major | 2 | 11B | 66 BPM | ||
| Just Pretend | The Dining Rooms, Chiara Castello | B♭ Minor | 4 | 3A | 190 BPM | ||
| Lucky | Jonathan Jeremiah | A♭ Minor | 7 | 1A | 134 BPM |