"I Know That My Redeemer Liveth" by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra had its release date on January 1, 1987. This song is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. The track order of this song in George Frideric Handel, Andrew Davis's "Handel: Messiah" album is number 22 out of 54. On top of that, United States appears to be the country where this track was created. In terms of popularity, I Know That My Redeemer Liveth is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of I Know That My Redeemer Liveth by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wachet auf, ruft uns die Stimme, Cantata BWV 140: Choral: "Zion hört die Wächter singen" | Johann Sebastian Bach, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | F Major | 1 | 7B | 139 BPM | ||
| Messiah, HWV 56 / Pt. 1: "Rejoice Greatly, O Daughter Of Zion" | George Frideric Handel, Elly Ameling, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 1 | 6B | 60 BPM | ||
| Oratorio de Noël, Op. 12: Duet. Benedictus qui venit (Soprano, Basso) | Camille Saint-Saëns, Verena Schweizer, Edith Wiens, Helena Jungwirth, Friedreich Melzer, Kurt Widmer, Hans-Joachim Bartsch, Barbara Biermann, Bachchor Mainz, Bachorchester Mainz, Diethard Hellmann | A Minor | 1 | 8A | 70 BPM | ||
| Vivaldi: Gloria in D Major, RV 589: VIII. Domine Deus, Agnus Dei | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Michael Chance, Stephen Cleobury | D♭ Minor | 0 | 12A | 76 BPM | ||
| The Day Thou Gavest, Lord, Is Ended | Clement Cotterill Scholefield, John Rutter, John Scott, The Cambridge Singers | G Major | 1 | 9B | 133 BPM | ||
| Auf Flügeln des Gesanges, Op. 34, No. 2 | Felix Mendelssohn, Kiri Te Kanawa, St. Paul's Cathedral Choir, English Chamber Orchestra, Barry Rose | A♭ Major | 0 | 4B | 73 BPM | ||
| But Who May Abide The Day Of His Coming - Live | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | D Minor | 2 | 7A | 90 BPM | ||
| O Magnum Mysterium | Morten Lauridsen, Stephen Cleobury, Choir of King's College, Cambridge | D Major | 1 | 10B | 129 BPM | ||
| If God Be For Us - Live | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | E♭ Minor | 1 | 2A | 76 BPM | ||
| Once in Royal David's City | King's College Choir | G Major | 1 | 9B | 75 BPM | ||
| Messiah / Part 1: "And He Shall Purify The Sons Of Levi" | George Frideric Handel, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 2 | 11A | 177 BPM | ||
| Heyr, himna smiður | Härlanda Chamber Choir, David Molin | F Minor | 1 | 4A | 71 BPM | ||
| Ave Maria, CG 89a | Charles Gounod, David Parry, London Philharmonic Orchestra, London Philharmonic Choir | G Major | 2 | 9B | 89 BPM | ||
| Telemann: Trumpet Concerto, TWV 51:D7: I. Adagio | Georg Philipp Telemann, Alison Balsom, Balsom Ensemble | D♭ Major | 1 | 3B | 65 BPM | ||
| There's a wideness in God's mercy | Maurice Bevan, St. Paul's Cathedral Choir, Malcolm Archer | B♭ Major | 2 | 6B | 89 BPM | ||
| O magnum mysterium | Tomás Luis de Victoria, Voices of Ascension Chorus, Dennis Keene | G Major | 1 | 9B | 64 BPM | ||
| Ave verum corpus | The New London Chorale | D Major | 2 | 10B | 63 BPM | ||
| Concerto grosso in G Minor, Op. 6 No. 8 "Christmas Concerto": III. Adagio – Allegro – Adagio | Arcangelo Corelli, The English Concert, Trevor Pinnock | D Major | 1 | 10B | 121 BPM | ||
| Messiah: Part 1, But who may abide? (Air, Alto) | The Sixteen | D♭ Minor | 2 | 12A | 93 BPM | ||
| Messiah: Part 1, And the glory of the Lord shall be revealed (Chorus) | The Sixteen | A♭ Major | 2 | 4B | 39 BPM | ||
| Deep River | The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Mack Wilberg | E♭ Major | 3 | 5B | 84 BPM | ||
| Vesperae solennes de confessore in C Major, K. 339: V. Laudate Dominum omnes gentes (Ps. 116/117) | Wolfgang Amadeus Mozart, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon, Latvian Radio Choir | F Major | 0 | 7B | 146 BPM | ||
| Be still, for the presence of the Lord | Huddersfield Choral Society | D Major | 1 | 10B | 59 BPM | ||
| Von guten Mächten treu und still ergeben - NGL 276 | Siegfried Fietz, Rundfunkchor Berlin, Maria Todtenhaupt, Jörg Strodthoff, Simon Halsey | G Major | 2 | 9B | 66 BPM | ||
| O Taste and See | Ralph Vaughan Williams, Mary Seers, The Cambridge Singers, John Rutter | A♭ Minor | 0 | 1A | 82 BPM |