Bill Mize's ' "The Road Scholar" was released on its scheduled release date, January 1, 1993. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 9 in the song's album "Tender Explorations". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. The popularity of The Road Scholar is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With The Road Scholar by Bill Mize having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tenkyu | Isato Nakagawa | F Major | 1 | 7B | 109 BPM | ||
| Across the Bridge | Mike Golay | F Major | 1 | 7B | 105 BPM | ||
| Pompey's Lament | Bill Mize | G Major | 6 | 9B | 94 BPM | ||
| Let It Be Me | Ed Gerhard | D Major | 2 | 10B | 128 BPM | ||
| Surreal | T.J. Baden | B Minor | 5 | 10A | 144 BPM | ||
| Everybody's Talkin' | Martin Tallstrom | B Major | 3 | 1B | 121 BPM | ||
| Flowers Of Edinburgh | Pete Huttlinger | G Major | 3 | 9B | 145 BPM | ||
| Days Gone By | Mike Howe | F♯ Major | 2 | 2B | 110 BPM | ||
| The Wings Of The Morning - Doyle Dykes | Doyle Dykes | A Major | 3 | 11B | 67 BPM | ||
| Rose of Allandale | Martin Simpson | E Major | 1 | 12B | 130 BPM | ||
| The Pond At Woodburn Hill | Al Petteway | B♭ Major | 1 | 6B | 107 BPM | ||
| sandcastles | Mark Wylie | E Major | 3 | 12B | 100 BPM | ||
| Sunday Shine | Ben Woolman | G Major | 6 | 9B | 97 BPM | ||
| Wild Mountain Thyme | Ed Gerhard | B♭ Major | 1 | 6B | 170 BPM | ||
| Glistening After the Mist | Robert Linton | F♯ Minor | 1 | 11A | 104 BPM | ||
| Furusato | Scott Reece | B♭ Major | 1 | 6B | 117 BPM | ||
| Leitrim Queen | Steve Baughman | E♭ Major | 2 | 5B | 84 BPM | ||
| Take It With Me | Viktor Kvist | G Major | 0 | 9B | 90 BPM | ||
| The Way Home | 森田こーよー | D Major | 2 | 10B | 180 BPM | ||
| The Water Is Wide | Ken Bonfield | C Major | 3 | 8B | 111 BPM | ||
| Adapt & Accept, Pt. 2 | Maneli Jamal | G Major | 5 | 9B | 103 BPM | ||
| Shee Beg Shee Mor | Bill Mize | E Major | 4 | 12B | 172 BPM | ||
| Ikigai | Scott Reece | B♭ Major | 4 | 6B | 106 BPM | ||
| Brothers | James Filkins | E Major | 1 | 12B | 143 BPM | ||
| Breaking Of The Shells | Billy McLaughlin | F♯ Minor | 1 | 11A | 99 BPM |