- BPM
- 105
- Key
- E Minor
- Camelot
- 9A
Boots (Songs of Rudyard Kipling) by Leonard Warren, RCA Victor Orchestra Song Details
Leonard Warren, RCA Victor Orchestra's ' "Boots (Songs of Rudyard Kipling)" was released on its scheduled release date, August 25, 2006. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Leonard Warren's "Lebendige Vergangenheit - Leonard Warren (Vol.2)" album is number 21 out of 23. In terms of popularity, Boots (Songs of Rudyard Kipling) is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
BPM and Tempo
We consider the tempo marking of Boots (Songs of Rudyard Kipling) by Leonard Warren, RCA Victor Orchestra to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 4%
- Loudness
- -11.011 dB
- Acousticness
- 98%
- Danceability
- 80%
- Energy
- 21%
- Instrumentalness
- 0%
- Liveness
- 28%
- Loudness
- 82%
- Speechiness
- 7%
- Valence
- 58%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bellini: I puritani: "Oh, vieni al tempio, fedele Arturo" (Elvira, Bruno, Riccardo, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | |
 | Giménez: La tempranica: Canción. "Sierras de Granada" (María) | Gerónimo Giménez, Victoria de los Ángeles, Coro de Cámara del Real, Rafael Frühbeck de Burgos, Orquesta Nacional De España | A♭ Major | 1 | 4B | 77 BPM | |
 | Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | |
 | A Little Bit of Heaven (Recorded 1950) | Ernest Ball, Leonard Warren, Frank Black, RCA Victor Orchestra | E♭ Major | 2 | 5B | 91 BPM | |
 | Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 4 | 8B | 138 BPM | |
 | Lecuona: María la O: "Eschucha al ruisenor" | Lisette Oropesa | E♭ Major | 1 | 5B | 93 BPM | |
 | Madama Butterfly, SC 74: Che giova? ... Io so che alle sue pene | Giacomo Puccini, Jonathan Tetelman, Rihab Chaieb, Önay Köse, PKF – Prague Philharmonia, Carlo Rizzi | F♯ Major | 4 | 2B | 94 BPM | |
 | Offenbach: La Belle Hélène, Act 2: Duo. "C'est le ciel qui m'envoie" (Hélène, Pâris) | Jacques Offenbach, Marc Minkowski, Felicity Lott, Yann Beuron, Les Musiciens du Louvre | E Major | 1 | 12B | 90 BPM | |
| Les Contes d'Hoffmann / Act 4: Hélas, mon coeur s'égare encore | Jacques Offenbach, Plácido Domingo, Justino Diaz, Edita Gruberova, Claudia Eder, Richard van Allan, Paul Crook, Choeur de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | D Major | 2 | 10B | 127 BPM | |
 | Rossini: Petite messe solennelle: XI. Et resurrexit | Gioachino Rossini, Antonio Pappano, Alex Esposito, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Francesco Meli, Marina Rebeka, Sara Mingardo, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Minor | 1 | 3A | 85 BPM | |
 | Chapí: Las hijas del Zebedeo: "Carceleras" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | A Minor | 2 | 8A | 172 BPM | |
 | Andrea Chénier / Act 3: La mamma morta | Umberto Giordano, Montserrat Caballé, Leo Nucci, National Philharmonic Orchestra, Riccardo Chailly | B Minor | 1 | 10A | 79 BPM | |
 | Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Heia, heia, in den Bergen ist mein Heimatland (Sylva - Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonie-Orchester Graunke | C Minor | 5 | 5A | 91 BPM | |
 | La Cenerentola / Act 2: "Un segreto d'importanza" | Gioachino Rossini, Alessandro Corbelli, Enzo Dara, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | D Major | 2 | 10B | 134 BPM | |
 | Puccini : La bohème : Act 2 "Quando me'n vo soletta" [Musetta, Marcello, Alcindoro, Mimì] | Giacomo Puccini, James Conlon, Orchestre National De France | E Major | 1 | 12B | 87 BPM | |
 | Lucia di Lammermoor / Act 1: Ancor non giunse! | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | F Major | 5 | 7B | 79 BPM | |
 | Cavalleria rusticana: Brindisi. Viva il vino spumeggiante "Drinking Song" | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 126 BPM | |
 | Don Giovanni, K. 527, Act I: Madamina | Wolfgang Amadeus Mozart, Benjamin Holder, Hungarian Studio Orchestra, Krisztián Cser | A Major | 1 | 11B | 52 BPM | |
 | Puccini: Tosca, Act 2 Scene 4: "Ed or fra noi parliam da buoni amici … Sciarrone, che dice il Cavalier?" (Scarpia, Tosca, Sciarrone, Voce di Cavaradossi) | Giacomo Puccini, Tito Gobbi, Maria Callas, Ugo Trama, Carlo Bergonzi, Orchestre de la Socit des Concerts du Conservatoire, Georges Prtre, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Minor | 5 | 2A | 82 BPM | |
 | Tosca / Act 2: Vittoria! Vittoria! | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Sherrill Milnes, National Philharmonic Orchestra, Nicola Rescigno | F Minor | 5 | 4A | 62 BPM | |
 | Povero Rigoletto! (Rigoletto) | Jan Peerce, Arthur Newman, Joyce White, Paul Ukena, Erna Berger, Leonard Warren, Italo Tajo, Nathaniel Sprinzena, RCA Victor Orchestra, Nan Merriman | E Minor | 4 | 9A | 168 BPM | |
 | Porgy and Bess / Act 1: Here comes Big Boy! | George Gershwin, Marquita Lister, Robert Mack, Chauncey Packer, Leonard Warren, Justin Lee Miller, Lester Lynch, Monique McDonald, Nashville Symphony Orchestra, John Mauceri | B♭ Major | 3 | 6B | 165 BPM | |
 | Norma / Act 1: Ah! bello a me ritorna | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | F Major | 2 | 7B | 78 BPM | |
 | La Verbena de la Paloma, Act I: Nocturno (Sereno, Guardia 1, Guardia 2) | Tomás Bretón, Enrique Baquerizo, Juan Jesùs Rodriguez, Alberto Rios, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | C Major | 1 | 8B | 83 BPM | |
 | Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records