- BPM
- 72
- Key
- D Minor
- Camelot
- 7A
Seven Magnificat Antiphons: IV. O Schlüssel Davids (arr. Counter Tenor & Reed Quintet by Raaf Hekkema) by Arvo Pärt, Kai Wessel, Calefax Reed Quintet Song Details
"Seven Magnificat Antiphons: IV. O Schlüssel Davids (arr. Counter Tenor & Reed Quintet by Raaf Hekkema)" by Arvo Pärt, Kai Wessel, Calefax Reed Quintet had its release date on April 1, 1997. With This song being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 19 in Byrd & Pärt for Reed Quintet by Kai Wessel, Calefax Reed Quintet. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Seven Magnificat Antiphons: IV. O Schlüssel Davids (arr. Counter Tenor & Reed Quintet by Raaf Hekkema) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Seven Magnificat Antiphons: IV. O Schlüssel Davids (arr. Counter Tenor & Reed Quintet by Raaf Hekkema) by Arvo Pärt, Kai Wessel, Calefax Reed Quintet is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -21.462 dB
- Acousticness
- 99%
- Danceability
- 21%
- Energy
- 2%
- Instrumentalness
- 95%
- Liveness
- 9%
- Loudness
- 64%
- Speechiness
- 4%
- Valence
- 13%
Recommendations
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|---|---|---|---|---|---|---|---|
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 | The Mist: Pt. 1 | Frans Bak, Mari Samuelsen, Hakon Samuelsen, Keld Haaning Ibsen, TrondheimSolistene | C Minor | 1 | 5A | 76 BPM | |
 | Pärt: Cantus in memoriam Benjamin Britten | Arvo Pärt, Paavo Järvi, Estonian National Symphony Orchestra | F Major | 1 | 7B | 114 BPM | |
 | Lux aeterna: Lux aeterna | György Ligeti, Cappella Amsterdam, Daniel Reuss | C Major | 0 | 8B | 54 BPM | |
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 | And the Swallow (Arr. J. Azkoul for String Orchestra) | Joanna Marsh, United Strings of Europe, Julian Azkoul | B Minor | 0 | 10A | 146 BPM | |
 | Violin Solo No. 1 | Peter Broderick | G Minor | 1 | 6A | 95 BPM | |
 | Parce Mihi Domine - Var. 2 | Jan Garbarek, Cristobal de Morales, The Hilliard Ensemble | B♭ Major | 1 | 6B | 80 BPM | |
 | Three Postludes (1981/82): Postlude No. 3 | Valentin Silvestrov, Anja Lechner, Silke Avenhaus | D Major | 0 | 10B | 70 BPM | |
 | Light Moving | David Lang, Hilary Hahn, Cory Smythe | E Minor | 1 | 9A | 102 BPM | |
 | Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | |
 | Fólk fær andlit | Hildur Guðnadóttir | A Minor | 1 | 8A | 140 BPM | |
| Near Light | Ólafur Arnalds, Mari Samuelsen, Hakon Samuelsen, TrondheimSolistene | D Major | 1 | 10B | 132 BPM | |
 | 3 Utwory w dawnym stylu (3 Pieces in Old Style): I. — | Henryk Górecki, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 0 | 8A | 76 BPM | |
 | …And at the Hour of Death | Víkingur Ólafsson | C Major | 0 | 8B | 122 BPM | |
 | L'heure exquise | Reynaldo Hahn, Christian-Pierre La Marca | D Major | 0 | 10B | 80 BPM |
- ISRC
- DEB249774505
- Label
- L-M Records/RCA Records