John Debney's ' "Lana, The Traitor - Score" was released on its scheduled release date, January 1, 2001. With This song being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "The Princess Diaries". In this album, this song's track order is #10. Based on our statistics, Lana, The Traitor - Score's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Lana, The Traitor - Score by John Debney having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Place Where Lost Things Go - Instrumental | Marc Shaiman, Scott Wittman | A Major | 0 | 11B | 77 BPM | ||
| The Truth Of The Gods | Daniel Pemberton | C Major | 5 | 8B | 78 BPM | ||
| Rowing | John Barry, John Debney, Royal Scottish National Orchestra | C Major | 2 | 8B | 73 BPM | ||
| Running from Moonacre / Loveday | Christian Henson | G Major | 1 | 9B | 150 BPM | ||
| Nineteen Twelve | John Barry, John Debney, Royal Scottish National Orchestra | C Major | 2 | 8B | 77 BPM | ||
| A New Mia - Score | John Debney | C Major | 0 | 8B | 0 BPM | ||
| It Is Love That Will Heal You | Geoff Zanelli | A Minor | 1 | 8A | 93 BPM | ||
| The Homecoming | George Fenton | C Major | 1 | 8B | 107 BPM | ||
| One True Thing | Cliff Eidelman | A Major | 0 | 11B | 168 BPM | ||
| The Journey Begins | Bruce Broughton | D Major | 1 | 10B | 127 BPM | ||
| The Tale of Pan | Joel McNeely | F Major | 1 | 7B | 76 BPM | ||
| Tony and Joe | Joseph Trapanese | F Major | 1 | 7B | 75 BPM | ||
| Books Are Cocktails | George Fenton | C Major | 1 | 8B | 61 BPM | ||
| The Kiss | Nicholas Hooper | E♭ Major | 0 | 5B | 91 BPM | ||
| The Rabbits' Christmas Party | Nigel Westlake | G Major | 0 | 9B | 77 BPM | ||
| Outside the Castle Walls | Peter Murray, Hogwarts Legacy | D Minor | 3 | 7A | 113 BPM | ||
| Ballycarbery Castle | Randy Edelman | G Major | 2 | 9B | 148 BPM | ||
| Morning at Marunweem Lake | Peter Murray, Hogwarts Legacy | C Minor | 1 | 5A | 118 BPM | ||
| Cinderella | George Fenton | G Major | 1 | 9B | 138 BPM | ||
| Bisceglia: Concerto for Trumpet and Orchestra: in None: II. Largo con alcun animato | Michelino Bisceglia, Benny Wiame, Hungarian Studio Orchestra | G Major | 1 | 9B | 111 BPM | ||
| The English Patient - From "The English Patient" | Lynda Cochrane, John Debney, Royal Scottish National Orchestra | G Major | 8 | 9B | 46 BPM | ||
| The Landing - From "The Rescuers Down Under" | Bruce Broughton | A Major | 1 | 11B | 143 BPM | ||
| The Ruins | George Fenton | D Major | 0 | 10B | 66 BPM | ||
| The Hope for Love | Mario Malagnini | G Major | 1 | 9B | 94 BPM | ||
| Cutting The Rope | Harald Kloser | D Minor | 0 | 7A | 143 BPM |