- BPM
- 71
- Key
- B♭ Major
- Camelot
- 6B
Romanian Folk Dances Sz. 56: II. Sash Dance by Béla Bartók, Martin Fröst, Royal Stockholm Philharmonic Orchestra Song Details
Béla Bartók, Martin Fröst, Royal Stockholm Philharmonic Orchestra's ' "Romanian Folk Dances Sz. 56: II. Sash Dance" was released on its scheduled release date, December 4, 2015. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 21 in the song's album "Roots". In this album, this song's track order is #10. Romanian Folk Dances Sz. 56: II. Sash Dance is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
BPM and Tempo
With Romanian Folk Dances Sz. 56: II. Sash Dance by Béla Bartók, Martin Fröst, Royal Stockholm Philharmonic Orchestra having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 25%
- Loudness
- -20.052 dB
- Acousticness
- 98%
- Danceability
- 60%
- Energy
- 16%
- Instrumentalness
- 52%
- Liveness
- 10%
- Loudness
- 67%
- Speechiness
- 8%
- Valence
- 62%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Minuet & Trio in G Major, WAB 220 | Anton Bruckner, Mari Kodama | C Major | 2 | 8B | 127 BPM | |
 | Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | |
 | 25 Préludes, Op.31: No. 8, La chanson de la folle au bord de la mer | Charles-Valentin Alkan, Igor Levit | A♭ Major | 0 | 4B | 67 BPM | |
 | Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | |
 | Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: II. Lento (Live) | Dmitri Shostakovich, Martha Argerich, Sergei Nakariakov, Alexander Verdernikov, Orchestra della Svizzera Italiana | C Major | 1 | 8B | 81 BPM | |
 | Prelude in E Minor | Fanny Mendelssohn, Beatrice Rauchs | E Minor | 0 | 9A | 84 BPM | |
 | String Octet in C Major, Op. 7 (Version for String Orchestra): I. Très modéré | George Enescu, Tabea Zimmermann, Ensemble Resonanz | E♭ Major | 0 | 5B | 78 BPM | |
 | Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D Major | 1 | 10B | 82 BPM | |
 | Le roi d'Ys, Act III: Vainement, ma bien-aimiee, "Aubade" (arr. J. Szigeti for violin) | Joseph Szigeti, Édouard Lalo, Livia Sohn, Benjamin Loeb | D Major | 0 | 10B | 82 BPM | |
 | 3 Hungarian Folksongs from the Csìk District, BB 45b, Sz. 35a | Béla Bartók, Zoltán Kocsis | F♯ Minor | 0 | 11A | 62 BPM | |
 | Bartók: String Quartet No. 4 in C Major, Sz. 91: IV. Allegretto pizzicato | Béla Bartók, Belcea Quartet | F♯ Major | 1 | 2B | 89 BPM | |
 | Piano Sonata in G Minor: II. Scherzo | Fanny Mendelssohn, Heather Schmidt | E Major | 1 | 12B | 114 BPM | |
 | Piano Quintet in C Minor: II. Scherzo: Allegro non troppo | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Major | 1 | 8B | 115 BPM | |
 | 3 Pieces in Old Style: No. 1, Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | B♭ Major | 0 | 6B | 75 BPM | |
 | Three Piano Pieces, Op. 11: Massig | Arnold Schoenberg, Paul Jacobs | A Major | 0 | 11B | 144 BPM | |
 | ラ・カンパネラ 「パガニーニ大練習曲集」より 第3曲 | Liszt, 石井琢磨 | A♭ Minor | 2 | 1A | 98 BPM | |
 | Var. 6, Adagio | Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz | D Minor | 0 | 7A | 80 BPM | |
 | Sonata for Violin and Piano in A: 1. Allegretto ben moderato | César Franck, Kaja Danczowska, Krystian Zimerman | F♯ Minor | 1 | 11A | 145 BPM | |
 | Four Dirges, Sz. 45, Op. 9a: 1. Adagio | Béla Bartók, Alexei Lubimov | E Major | 0 | 12B | 0 BPM | |
 | Massenet: 10 Pièces de genre, Op. 10: No. 5, Mélodie "Élégie" | Jules Massenet, Shani Diluka | F Major | 2 | 7B | 123 BPM | |
 | Music for Strings, Percussion & Celesta, Sz. 106: II. Allegro | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 2 | 3B | 142 BPM | |
 | Roumanian Folk Dances for Orchestra, BB 76 (Sz. 68): 4. Horn Dance (from Bisztra) | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D Major | 1 | 10B | 170 BPM | |
 | Ravel: Violin Sonata No. 2 in G Major, M. 77: I. Allegretto | Maurice Ravel, Renaud Capuçon, Frank Braley | G Major | 0 | 9B | 124 BPM | |
 | Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | |
 | 4 piezas españolas: I. Aragonesa (Allegro) | Manuel de Falla, Javier Perianes | C Major | 1 | 8B | 100 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records