"Theatre Macabre" by Universal Production Music had its release date on September 13, 2005. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Theatre Macabre's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 10 in Big Screen Epic Choral 2 by Universal Production Music. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Theatre Macabre's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Theatre Macabre by Universal Production Music is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Clockmaster's Magic Pendulum | Grant Newman | A♭ Major | 1 | 4B | 59 BPM | ||
| Miracle | Veaceslav Draganov | F♯ Minor | 2 | 11A | 160 BPM | ||
| A Historic Reckoning | Rubric, Kyle Preston | B Major | 0 | 1B | 70 BPM | ||
| Yesterday Has Yet To Come | Clemens Ruh | G Major | 5 | 9B | 120 BPM | ||
| Horizon | Veaceslav Draganov | G Minor | 2 | 6A | 80 BPM | ||
| Take Up Your Cross | Brock Hewitt: Stories in Sound, The David Roy Collective | C Major | 5 | 8B | 122 BPM | ||
| Choice | August Fenger Janson | A Minor | 2 | 8A | 65 BPM | ||
| Sneaky Sneaky | Gold-Tiger | A Minor | 2 | 8A | 111 BPM | ||
| The Story Begins | Hampus Naeselius | E♭ Major | 4 | 5B | 160 BPM | ||
| Super Hero | Bonnie Grace | F Minor | 5 | 4A | 185 BPM | ||
| The Resistance | H. Scott Salinas | G Major | 2 | 9B | 132 BPM | ||
| Paragon | Universal Production Music | A Minor | 8 | 8A | 149 BPM | ||
| Exploding Skies | Universal Production Music | B♭ Minor | 3 | 3A | 152 BPM | ||
| Vertex | David Thomas Connolly, Max Samuel Rowat | D♭ Major | 10 | 3B | 196 BPM | ||
| Deorc Decuple | FormantX | B Major | 9 | 1B | 150 BPM | ||
| Strings and Savories | Jo Wandrini | F Minor | 6 | 4A | 170 BPM | ||
| The Phoenix | Tom Meira Armony | A Minor | 3 | 8A | 140 BPM | ||
| Among the Clouds | Helmut Schenker | D Major | 5 | 10B | 110 BPM | ||
| Labyrinthe | Mathieu Lamboley | E♭ Major | 6 | 5B | 120 BPM | ||
| Operation Postmaster | Chris Benstead | G Major | 4 | 9B | 102 BPM | ||
| We Are Going To Rob It | Daniel Pemberton | G Major | 9 | 9B | 130 BPM | ||
| The Puppet Show | Arthur Benson | A Minor | 3 | 8A | 170 BPM | ||
| Jazz Street | White Bones | C Major | 6 | 8B | 140 BPM | ||
| Escape Velocity | Steven Beddall | A Minor | 7 | 8A | 85 BPM | ||
| Wanderlust Journey | lumine wave | A Minor | 7 | 8A | 120 BPM |