Bruce Adams, Alan Barnes Quintet, Pascal Michaux, Alec Dankworth, Bobby Worth's ' "One for D. M." was released on its scheduled release date, 2007. This song is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Spontaneous Combustion". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, One for D. M. is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With One for D. M. by Bruce Adams, Alan Barnes Quintet, Pascal Michaux, Alec Dankworth, Bobby Worth having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Just A Little Bit South Of North Carolina | Gene Krupa & His Orchestra | A Minor | 4 | 8A | 142 BPM | ||
| Finger of Suspicion | Dickie Valentine | D♭ Major | 3 | 3B | 82 BPM | ||
| Dreamy December Oldies | Oldies Playing | B♭ Major | 1 | 6B | 65 BPM | ||
| Till the End of Time | Doris Day | G Minor | 1 | 6A | 79 BPM | ||
| Crazy Rhythm (with Gene Nelson & The Page Cavanaugh Trio) | Doris Day, Gene Nelson, The Page Cavanaugh Trio | D♭ Major | 5 | 3B | 96 BPM | ||
| What Is This Thing Called Love | Bonnie Lou Williams with Tommy Dorsey and His Orchestra | D Minor | 3 | 7A | 161 BPM | ||
| Golden Hour Serenade | TAPA BLANCA | B Minor | 2 | 10A | 177 BPM | ||
| When The Saints Go Marching In | Boots Randolph | F Major | 6 | 7B | 176 BPM | ||
| Old Fashioned Way | George Rank Orchestra | B♭ Major | 4 | 6B | 132 BPM | ||
| Bedelia | Lohan Chester & The Pickets | B♭ Major | 4 | 6B | 132 BPM | ||
| You’re Getting to Be a Habit with Me | Alexander Thoma | A♭ Major | 2 | 4B | 128 BPM | ||
| Could This Be Love? | Glenn Crytzer | B♭ Minor | 1 | 3A | 130 BPM | ||
| Pergola Interlude | Polaroid Sessions | E♭ Major | 3 | 5B | 73 BPM | ||
| Velvet Rail | Sosa Drip | E♭ Minor | 4 | 2A | 108 BPM | ||
| Lestrade of the Yard | Alan Barnes, Mark Nightingale, Clark Tracey, Bruce Adams, Stan Sulzmann, Robert Fowler, Dave Newton, Simon Thorpe | F Major | 2 | 7B | 118 BPM | ||
| Summer Idyll | Marlon Merrick, Red Dorris, Stan Kenton | F Minor | 4 | 4A | 112 BPM | ||
| Deep In the Heart of Texas | Alvino Rey | E♭ Major | 4 | 5B | 101 BPM | ||
| Mr. Dooley | Martha Dilard | F Major | 3 | 7B | 122 BPM | ||
| Yesterday | Boots Randolph | E♭ Major | 2 | 5B | 178 BPM | ||
| Sweet Sue, Just You - Remastered - Take 1 | Fats Waller | G Major | 4 | 9B | 116 BPM | ||
| ジェラス・ハート | テックス・リッター | E Major | 3 | 12B | 129 BPM | ||
| Teach Me Tonight | The De Castro Sisters | G Major | 2 | 9B | 110 BPM | ||
| Make Hay While The Sun Is Shining | Martha Dilard | F Major | 3 | 7B | 122 BPM | ||
| The Things I Might Have Been (feat. Sue Thompson) | Tennessee Ernie Ford, Sue Thompson | E♭ Minor | 1 | 2A | 137 BPM | ||
| Say It Isn't So - Live On The Pat Boone Chevy Showroom, January 30, 1958 | Pat Boone | B♭ Major | 4 | 6B | 132 BPM |