"Enigma Variations, Op. 36: Var. 9. Adagio "Nimrod"" by Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner had its release date on December 20, 2001. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 18 in Elgar: In the South; Enigma Variations by Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Enigma Variations, Op. 36: Var. 9. Adagio "Nimrod" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Enigma Variations, Op. 36: Var. 9. Adagio "Nimrod" by Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Elgar / Orch. Walter: Salut d'amour, Op. 12 | Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | E Major | 1 | 12B | 83 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski) | Arcangelo Corelli, Matthias Bamert, BBC Philharmonic | G Minor | 0 | 6A | 175 BPM | ||
| Carmen: Entr'acte to Act III | Georges Bizet, Wiener Philharmoniker, Tugan Sokhiev | C Major | 1 | 8B | 89 BPM | ||
| Enigma Variations, Op. 36: Var. 9. Adagio "Nimrod" | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | ||
| Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Mit Aufschwung, aber nicht eilen (Duet: "O Schmerz") | Gustav Mahler, Latonia Moore, Nadja Michael, Wiener Philharmoniker, Gilbert Kaplan, Wiener Singverein, Johannes Prinz | E♭ Major | 3 | 5B | 87 BPM | ||
| Symphony No. 3 in C Major, Op. 52: I. Allegro moderato | Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä | F♯ Minor | 1 | 11A | 66 BPM | ||
| Ancient Airs & Dances, Suite II, P. 138: III. Campanae parisienses – Aria (Anon/Mersenne) | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | C Major | 0 | 8B | 74 BPM | ||
| Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic, David Nadien | C Minor | 1 | 5A | 105 BPM | ||
| Pavane and Gigue (Arr. L. Stokowski for orchestra) | William Byrd, Bournemouth Symphony Orchestra, José Serebrier | A♭ Major | 1 | 4B | 95 BPM | ||
| Memories of Me | Georges Delerue, Renaud Capuçon, Les Siècles, Duncan Ward | E♭ Major | 1 | 5B | 77 BPM | ||
| Variations on an Original Theme, Op. 36 "Enigma": Var. 9, Adagio "Nimrod" | Edward Elgar, BBC National Orchestra Of Wales, Andrew Constantine | F♯ Minor | 0 | 11A | 68 BPM | ||
| Gayaneh: Gayaneh's Adagio | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 0 | 4B | 82 BPM | ||
| Toccata and Fugue in D minor, BWV 565: I. Toccata (Arr. Leopold Stokowski) | Johann Sebastian Bach, Matthias Bamert, BBC Philharmonic | G Minor | 1 | 6A | 75 BPM | ||
| Nimrod (From the Enigma Variations) | Edward Elgar | E♭ Major | 3 | 5B | 103 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Kremerata Baltica, Anna Vinnitskaya, Omer Meir Wellber, Winds of Staatskapelle Dresden | F Major | 3 | 7B | 155 BPM | ||
| Sarabande and Courante from Auf meinen lieben Gott, BuxWV 179 (Arr. Leopold Stokowski) | Dietrich Buxtehude, Matthias Bamert, BBC Philharmonic, Cynthia Millar | E Major | 2 | 12B | 118 BPM | ||
| Rosen aus dem Süden, Walzer, Op. 388 | Johann Strauss II, Wiener Philharmoniker, Yannick Nézet-Séguin | D Major | 1 | 10B | 141 BPM | ||
| Montgomery Variations: IV. Dawn in Dixie | Margaret Bonds, Philadelphia Orchestra, Yannick Nézet-Séguin | G Minor | 1 | 6A | 106 BPM | ||
| Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Sharon Kam, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | D Major | 0 | 10B | 82 BPM | ||
| Symphony No. 8 in B Minor, D. 759 "Unfinished": II. Andante con moto | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | E Major | 0 | 12B | 82 BPM | ||
| Die lustigen Weiber von Windsor: Overture | Otto Nicolai, Wiener Philharmoniker, Christian Thielemann | F Major | 2 | 7B | 146 BPM | ||
| Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM | ||
| Violin Concerto No. 1: II. Crotchet = c. 108 | Philip Glass, Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi | C Minor | 0 | 5A | 86 BPM | ||
| Der fliegende Holländer: Overture | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | A Minor | 3 | 8A | 88 BPM |