- BPM
- 165
- Key
- E♭ Major
- Camelot
- 5B
Pagliacci / Act 2: "Sperai, tanto il delirio" by Ruggero Leoncavallo, Ana Maria Martinez, Andrea Bocelli, Chorus of the Teatro Massimo Bellini, Catania, Orchestra of the Teatro Massimo Bellini, Catania, Steven Mercurio Song Details
Ruggero Leoncavallo, Ana Maria Martinez, Andrea Bocelli, Chorus of the Teatro Massimo Bellini, Catania, Orchestra of the Teatro Massimo Bellini, Catania, Steven Mercurio's 'Pagliacci / Act 2: "Sperai, tanto il delirio"' had a release date set for January 1, 2006. With This song being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ruggero Leoncavallo, Andrea Bocelli, Ana Maria Martinez, Stefano Antonucci, Chorus of the Teatro Massimo Bellini, Catania, Orchestra of the Teatro Massimo Bellini, Catania's "Leoncavallo: I Pagliacci" album is number 25 out of 26. The popularity of Pagliacci / Act 2: "Sperai, tanto il delirio" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Pagliacci / Act 2: "Sperai, tanto il delirio" by Ruggero Leoncavallo, Ana Maria Martinez, Andrea Bocelli, Chorus of the Teatro Massimo Bellini, Catania, Orchestra of the Teatro Massimo Bellini, Catania, Steven Mercurio to be Vivace (lively and fast) because the track has a tempo of 165 BPM, a half-time of 82BPM, and a double-time of 330 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
Music Key
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 3%
- Loudness
- -7.654 dB
- Acousticness
- 95%
- Danceability
- 32%
- Energy
- 36%
- Instrumentalness
- 0%
- Liveness
- 66%
- Loudness
- 87%
- Speechiness
- 4%
- Valence
- 28%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Madama Butterfly / Act 2: "Un bel dì vedremo" | Giacomo Puccini, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 58 BPM | |
 | Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | C Major | 3 | 8B | 148 BPM | |
 | Requiem, K. 626: Domine Jesu | Wolfgang Amadeus Mozart, Academy of Ancient Music, Stephen Cleobury, Choir of King's College, Cambridge, Elin Manahan Thomas, Christine Rice, James Gilchrist, Christopher Purves | C Minor | 3 | 5A | 98 BPM | |
 | Raksin / Arr. Schifrin: Around the World: Those Were the Days (Live) | Eugene Raskin, The Three Tenors, Los Angeles Music Center Opera Chorus, Zubin Mehta, Los Angeles Philharmonic | C Minor | 3 | 5A | 80 BPM | |
 | Norma / Act I: Casta Diva | Vincenzo Bellini, Anna Netrebko, SWR Symphony Orchestra, Marco Armiliato | F Major | 1 | 7B | 85 BPM | |
 | La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM | |
 | Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesplé, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | |
 | Mattinata (Orch. Luck) | Ruggero Leoncavallo, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | B Major | 3 | 1B | 84 BPM | |
 | Torna a Surriento | Ernesto de Curtis, Luciano Pavarotti, Emerson Buckley, Symphony Orchestra Of Emilia Romagna "Arturo Toscanini" | E Minor | 1 | 9A | 96 BPM | |
 | Cilèa: L'Arlesiana, Act 2: "È la solita storia del pastore" (Federico) | Francesco Cilea, Rolando Villazón, Marcello Viotti, Munich Radio Orchestra, Muenchner Rundfunkorchester | A Minor | 1 | 8A | 168 BPM | |
 | Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | |
 | La Traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | B♭ Major | 2 | 6B | 113 BPM | |
 | La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | |
 | Les Pêcheurs de perles, Act I: Je crois entendre encore (Nadir) | Georges Bizet, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | A Minor | 1 | 8A | 86 BPM | |
 | Fedora: Amor ti vieta | Umberto Giordano, Enrico Caruso, Vienna Radio Symphony Orchestra, Gottfried Rabl | C Major | 2 | 8B | 99 BPM | |
 | Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | |
 | Pagliacci / Act 1: "Don, din, don - suona vespero" - Live | Ruggero Leoncavallo, Westminster Symphonic Choir, Philadelphia Boys Choir, Philadelphia Orchestra, Riccardo Muti | F Major | 1 | 7B | 125 BPM | |
 | Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM | |
 | Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt | Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás Vasilek | F Major | 4 | 7B | 89 BPM | |
 | Cavalleria Rusticana: "Regina coeli laetare" | Pietro Mascagni, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon, Latvian Radio Choir, Opernchor Saarbrücken | G Major | 2 | 9B | 86 BPM | |
 | Voce 'e notte (Arr. Chiaramello) | Ernesto de Curtis, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | A Minor | 3 | 8A | 137 BPM | |
 | Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | F♯ Minor | 4 | 11A | 86 BPM | |
 | Il Trovatore / Act 3: "Ah sì ben mio" | Giuseppe Verdi, Luciano Pavarotti, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 2 | 3B | 78 BPM | |
 | Manon Lescaut / Act 1: Donna non vidi mai | Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 3 | 6B | 79 BPM | |
 | Verdi: La Forza del Destino: La Vergine degli Angeli | Renata Tebaldi | G Major | 2 | 9B | 130 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records