"Talking Swords" by Nicholas Pike had its release date on February 29, 2024. With This song being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 20 out of 31 in Blood and Bone (Original Motion Picture Soundtrack) by Nicholas Pike. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Talking Swords is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Talking Swords by Nicholas Pike is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Very Good Tree | Michael Giacchino | D Major | 0 | 10B | 89 BPM | ||
| The Aftermath | W.G. Snuffy Walden | G Minor | 1 | 6A | 63 BPM | ||
| I'm So Sorry | Mac Quayle | A Minor | 1 | 8A | 69 BPM | ||
| All that Remains | Jeff Beal | C Minor | 1 | 5A | 79 BPM | ||
| Precedent | Howard Shore | G Major | 1 | 9B | 78 BPM | ||
| Things Best Left Buried | Hannes De Maeyer | F♯ Minor | 1 | 11A | 137 BPM | ||
| One Down In Gaza | W.G. Snuffy Walden | G Major | 1 | 9B | 69 BPM | ||
| Making Moonlight | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Tim's First Time | Paul Leonard-Morgan | C Major | 0 | 8B | 80 BPM | ||
| She Was Like A Bright Light | Hans Zimmer, Rupert Gregson-Williams | C Major | 0 | 8B | 67 BPM | ||
| Elizabeth - Original Motion Picture Soundtrack: Love Theme | David Hirschfelder, Unknown Orchestra | B♭ Major | 1 | 6B | 80 BPM | ||
| Wish I Could Spend The Day With You | Mychael Danna, Jeff Danna | E Major | 0 | 12B | 75 BPM | ||
| Trampas Permitidas | Sirenas Celestiales | F Minor | 1 | 4A | 75 BPM | ||
| Enterprise and Shine | Nami Melumad | F Major | 5 | 7B | 93 BPM | ||
| Maggie's Plea | Clint Eastwood | D♭ Major | 1 | 3B | 61 BPM | ||
| Looking At You | Mark Mancina | D Major | 1 | 10B | 83 BPM | ||
| Rooms Behind Rooms | Federico Jusid | D Minor | 1 | 7A | 71 BPM | ||
| Emily's Chemo | Mark McKenzie | B♭ Major | 0 | 6B | 70 BPM | ||
| I'll Cook For You | Federico Jusid | D Minor | 1 | 7A | 71 BPM | ||
| On the Lake | Aaron Zigman | C Major | 0 | 8B | 58 BPM | ||
| Flashback / Finale - Gone With the Wind | Max Steiner | F Major | 5 | 7B | 121 BPM | ||
| Meadows | Javier Navarrete | B Minor | 1 | 10A | 64 BPM | ||
| Snow | Martin Phipps | F♯ Major | 1 | 2B | 70 BPM | ||
| Two Cathedrals | W.G. Snuffy Walden | C Major | 1 | 8B | 77 BPM | ||
| Together - Instrumental Score | Marvin Hamlisch | D Major | 0 | 10B | 110 BPM |