Jon Brion's ' "Zombie Attacks In The Eighties" was released on its scheduled release date, January 1, 2012. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "ParaNorman". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. The popularity of Zombie Attacks In The Eighties is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Zombie Attacks In The Eighties by Jon Brion having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Theory of Everything | Jóhann Jóhannsson | D Major | 1 | 10B | 104 BPM | ||
| Captain Nina | Graham Reynolds | D Major | 2 | 10B | 74 BPM | ||
| Jacob's Prayer | Emile Mosseri | D♭ Major | 1 | 3B | 81 BPM | ||
| Thank God for the Rain | Bernard Herrmann | D Minor | 1 | 7A | 113 BPM | ||
| The Great Wide Open (Reprise) | Trent Reznor and Atticus Ross | E Major | 1 | 12B | 81 BPM | ||
| Bella | Jerskin Fendrix | D♭ Major | 0 | 3B | 131 BPM | ||
| Intro | Emile Mosseri | D♭ Major | 2 | 3B | 74 BPM | ||
| Gretchen Ross | Michael Andrews | B♭ Major | 2 | 6B | 79 BPM | ||
| Five Minutes from Now | Daniel Hart | G Major | 2 | 9B | 159 BPM | ||
| at the mall | David Torn | C Major | 3 | 8B | 120 BPM | ||
| Brotherhood - From "Close" Original Motion Picture Soundtrack | Valentin Hadjadj | C Minor | 1 | 5A | 83 BPM | ||
| Minari Suite | Emile Mosseri | D♭ Major | 1 | 3B | 82 BPM | ||
| Hope | Jon Brion | B Major | 1 | 1B | 84 BPM | ||
| Home Again | Michael Brook | D Major | 1 | 10B | 174 BPM | ||
| L'oeuf | Trent Reznor and Atticus Ross | F Minor | 8 | 4A | 108 BPM | ||
| Always Returning - Remastered 2005 | Brian Eno | B♭ Major | 1 | 6B | 71 BPM | ||
| New House | Randy Newman | F Minor | 1 | 4A | 78 BPM | ||
| Hospital | Punch-Drunk Love | D Minor | 1 | 7A | 141 BPM | ||
| An Immigrant and a Tourist | Christopher Bear, Daniel Rossen | F♯ Major | 3 | 2B | 83 BPM | ||
| Quintessence | Theodore Shapiro, José González, Mark Graham | E Major | 1 | 12B | 174 BPM | ||
| Eternal Sunshine of the Spotless Mind Theme - Piano Version | Ams | E♭ Major | 0 | 5B | 102 BPM | ||
| Ava | Ben Salisbury, Geoff Barrow | F♯ Major | 0 | 2B | 68 BPM | ||
| Normal Life | Trent Reznor and Atticus Ross | A Major | 2 | 11B | 100 BPM | ||
| Why Does Anybody Get Married? | Daniel Pemberton | C Major | 1 | 8B | 86 BPM | ||
| Puppet Love (From "Being John Malkovich") | Brussells Philharmonic, Dirk Brossé | E Minor | 2 | 9A | 138 BPM |