Georg Friedrich Haas, Fukio Ensemble's ' "Saxophone Quartet (2014)" was released on its scheduled release date, October 21, 2022. This song appears to be safe for all ages as it is not explicit. There are a total of 17 in the song's album "Transcend". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. In terms of popularity, Saxophone Quartet (2014) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Saxophone Quartet (2014) by Georg Friedrich Haas, Fukio Ensemble having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Quatuor pour la fin du Temps: III. Abîme des oiseaux | Olivier Messiaen, Martin Fröst | G Major | 0 | 9B | 131 BPM | ||
| BALLAS VI | Ruthlesskid | D♭ Major | 0 | 3B | 65 BPM | ||
| Cello Counterpoint: 2. Slow | Steve Reich, Peter Gregson | E♭ Minor | 1 | 2A | 73 BPM | ||
| A room (Two Pieces for Harp) - 1942 | John Cage, Floraleda Sacchi | D♭ Minor | 1 | 12A | 86 BPM | ||
| Nacht, Scene 11: Aber das Mögliche (Der Bass, Der Bariton, Der Tenor, Der Sopran) | Georg Friedrich Haas, Klangforum Wien, Peter Rundel, Julie Moffat, Helmut Windhaber, Johannes Schmidt, Michael Volle | E Minor | 0 | 9A | 133 BPM | ||
| "…" (1994) double concerto for accordion, viola and chamber Orchestra | Georg Friedrich Haas, Dimitrios Polisoidis, Georg Schulz, Klangforum Wien, Sylvain Cambreling | F Minor | 0 | 4A | 135 BPM | ||
| Passage | Meredith Monk, Allison Sniffin, Silvie Jensen, Katie Geissinger, Ellen Fisher, Ching Gonzalez, Theo Bleckmann, Sasha Bogdanowitsch | G Major | 0 | 9B | 143 BPM | ||
| September I | Sarah Neutkens, Nederlands Saxofoon Octet | C Minor | 0 | 5A | 81 BPM | ||
| Solfeggio | Arvo Pärt, NYYD Quartet, Paul Hillier | C Major | 0 | 8B | 80 BPM | ||
| The Wind in High Places: I. Above Sunset Pass | John Luther Adams, JACK Quartet | F Minor | 0 | 4A | 101 BPM | ||
| Tabula Rasa: Ludus | Arvo Pärt, Lesley Hatfield, Rebecca Hirsch, Ulster Orchestra, Takuo Yuasa | G Major | 3 | 9B | 76 BPM | ||
| Britten: Young Apollo, Op. 16 | Benjamin Britten, Martin James Bartlett, Mozarteumorchester Salzburg, Howard Griffiths | D♭ Minor | 0 | 12A | 80 BPM | ||
| Piano & Violoncello 7 | Irena And Vojtech Havlovi | C Major | 1 | 8B | 79 BPM | ||
| Six Pieces for Solo Violin: II. Arpeggio | Sophia Jani, Teresa Allgaier | E Minor | 1 | 9A | 117 BPM | ||
| … Einklang freier Wesen … | Georg Friedrich Haas, Marco Blaauw | B♭ Major | 0 | 6B | 61 BPM | ||
| Violin Concerto No. 2: IV. dreistimmige Invention | Georg Friedrich Haas, Miranda Cuckson, Markus Poschner, ORF Radio-Symphonieorchester Wien | B Minor | 1 | 10A | 51 BPM | ||
| Variations for Orchestra, Op. 31: Variation V. Bewegt | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | A♭ Major | 3 | 4B | 84 BPM | ||
| Variations for Orchestra, Op. 31: Introduktion | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | C Major | 1 | 8B | 133 BPM | ||
| After the Rain: III. Antiphon | Barry Guy, Richard Hickox, City of London Sinfonia | D Major | 3 | 10B | 83 BPM | ||
| Nacht, Scene 4: Eure Majestät (Der Sprecher) | Georg Friedrich Haas, Klangforum Wien, Peter Rundel, Matteo de Monti | D♭ Major | 0 | 3B | 101 BPM | ||
| Calmo e ricercato | Campana Tibetana | C Minor | 0 | 5A | 78 BPM | ||
| Quatuor pour la fin du Temps: III. Abîme des oiseaux | Olivier Messiaen, Dominic Desautels | D♭ Minor | 0 | 12A | 80 BPM | ||
| Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
| Lux aeterna: Lux aeterna | György Ligeti, Cappella Amsterdam, Daniel Reuss | C Major | 0 | 8B | 54 BPM | ||
| Rothko Chapel 3 | Morton Feldman | D♭ Major | 0 | 3B | 74 BPM |