"Peterson - From Somewhere Quiet Rework" by The American Dollar, From Somewhere Quiet had its release date on July 25, 2025. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Peterson - From Somewhere Quiet Rework's duration is considered a little bit shorter than the average duration of a typical track. Since Peterson (From Somewhere Quiet Rework) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Sweden. The popularity of Peterson - From Somewhere Quiet Rework is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Peterson - From Somewhere Quiet Rework by The American Dollar, From Somewhere Quiet having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mirage | Astra | E Minor | 0 | 9A | 70 BPM | ||
| in too deep | Abstract Aprils, Peter Mowry | A Minor | 2 | 8A | 86 BPM | ||
| Through the Air | inola | D♭ Major | 0 | 3B | 66 BPM | ||
| Arranged Shapes | Hollie Kenniff, Goldmund, Harbors | B♭ Major | 2 | 6B | 88 BPM | ||
| Cloudlight | Adrian Disch, Sam Garner | D♭ Major | 2 | 3B | 160 BPM | ||
| Circuits (Hiroaki Yamamoto Rework) | The American Dollar, hiroaki yamamoto | A Minor | 2 | 8A | 86 BPM | ||
| lone runner | Good Weather For An Airstrike, Antarctic Wastelands | G Major | 1 | 9B | 127 BPM | ||
| Lamentwave | From Somewhere Quiet, Norvik | G Major | 0 | 9B | 77 BPM | ||
| Walking Empty Streets | The Echelon Effect | C Major | 2 | 8B | 122 BPM | ||
| May Snow | AstroPilot | D Minor | 1 | 7A | 86 BPM | ||
| Echo and the Sea | Rose Riebl | A♭ Major | 1 | 4B | 66 BPM | ||
| Time - Ambient | The American Dollar | C Minor | 2 | 5A | 75 BPM | ||
| At Every Moment and in Every Place | Hollie Kenniff | E Minor | 2 | 9A | 81 BPM | ||
| The Waves Whispered Our Names | Kyle Preston | D Major | 2 | 10B | 57 BPM | ||
| 350 Feet Beneath Us | Good Weather For An Airstrike, Ian Urbina | F♯ Major | 3 | 2B | 89 BPM | ||
| Night Shore | Philippe Deschamps, Davis Branch | D Major | 1 | 10B | 73 BPM | ||
| Could've Been Something | Rebecca Mardal | D Major | 1 | 10B | 77 BPM | ||
| Veil of Morning | Eternal Meadows | D Major | 1 | 10B | 81 BPM | ||
| Calm Night | William Laing | D Major | 6 | 10B | 105 BPM | ||
| Changes | inola, Formosa | D♭ Major | 1 | 3B | 98 BPM | ||
| Starting the Process of Stopping | Daniel G. Harmann | F Major | 2 | 7B | 68 BPM | ||
| The Great Plains | Random Forest | E♭ Major | 3 | 5B | 143 BPM | ||
| I Saw You In A Dream | Benjamin Gustafsson | D Major | 1 | 10B | 72 BPM | ||
| Feathers | Henrik Lindstrand, Kasper Bjørke | A Minor | 2 | 8A | 86 BPM | ||
| Not Enough to Stay | Vaudlow, Roseblue | F Major | 2 | 7B | 70 BPM |