Henry Purcell, The English Concert, Trevor Pinnock's ' "King Arthur, or The British Worthy (1691): Second Music: I. Overture" was released on its scheduled release date, January 1, 1992. With This song being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Purcell: King Arthur". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Based on our statistics, King Arthur, or The British Worthy (1691): Second Music: I. Overture's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With King Arthur, or The British Worthy (1691): Second Music: I. Overture by Henry Purcell, The English Concert, Trevor Pinnock having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto a 5 in D minor, Op.9, No.2 for Oboe, Strings, and Continuo: 2. Adagio | Tomaso Albinoni, Frank de Bruine, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 2 | 3B | 108 BPM | ||
| Polifemo: Overture | Nicola Porpora, Stefan Plewniak, Orchestre de l'Opéra Royal | D♭ Major | 4 | 3B | 123 BPM | ||
| Trumpet Concerto in D Major, FWV L:D1: I. (Allegro) | Johann Friedrich Fasch, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | B♭ Major | 1 | 6B | 59 BPM | ||
| Concerti a cinque Op. 9 for oboe and strings, Concerto No. 5 in C major: II. Adagio | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | A♭ Minor | 1 | 1A | 77 BPM | ||
| Oboe Concerto No. 1 in D Minor: III. Allegro | Ludwig August Lebrun, Paul Goodwin, The English Concert, Trevor Pinnock | A Minor | 0 | 8A | 135 BPM | ||
| Overture (Suite) In D Major, TWV 55:D15: VII. Gigue | Cologne Chamber Orchestra, Georg Philipp Telemann | A Major | 2 | 11B | 118 BPM | ||
| Scarlatti, A: Concerto grosso in sette parti No. 1 in F Minor: II. Allegro | Alessandro Scarlatti, Europa Galante, Fabio Biondi | E Minor | 3 | 9A | 80 BPM | ||
| Symphony No. 44 in E Minor, Hob. I:44 "Trauersinfonie": I. Allegro con brio | Joseph Haydn, The English Concert, Trevor Pinnock | E♭ Minor | 1 | 2A | 144 BPM | ||
| Mozart: Divertimento in B-Flat Major, K. 137 "Salzburg Symphony No. 2": II. Allegro di molto | Wolfgang Amadeus Mozart, Amsterdam Baroque Orchestra, Ton Koopman | C Major | 0 | 8B | 127 BPM | ||
| Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": I. Allegro ma non troppo - Allegro assai | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 2 | 3B | 126 BPM | ||
| Trio Sonata in F Major, Op. 1 No. 1: I. Grave – II. Allegro – III. Adagio – IV. Allegro | Arcangelo Corelli, Simon Standage, Micaela Comberti, Anthony Pleeth, Trevor Pinnock | E Major | 1 | 12B | 71 BPM | ||
| Concerto a Due Cori No. 2, HWV 333: II. Allegro | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 109 BPM | ||
| Dido and Aeneas / Act 1: "Shake the cloud from off your brow" | Henry Purcell, Emma Kirkby, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 129 BPM | ||
| Music from The Fairy Queen (1) (after Shakespeare: A Midsummer Night's Dream): Prelude | Henry Purcell, Emil Klein | G Minor | 2 | 6A | 136 BPM | ||
| Simphonia a 8 concertantio in A minor - 2 Violini, 2 Oboe, Viola, Fagotto, Basso Continuo: Allegro (3) | Jan Dismas Zelenka, Il Fondamento, Paul Dombrecht | A♭ Minor | 3 | 1A | 126 BPM | ||
| Telemann: Concerto for Recorder and Bassoon in F Major, TWV 52:F1: III. Grave | Georg Philipp Telemann, Nikolaus Harnoncourt, Frans Brüggen, Otto Fleischmann, Concentus Musicus Wien | D Major | 0 | 10B | 127 BPM | ||
| Symphony No. 46 in B Major, Hob. I:46: III. Menuetto. Allegretto | Joseph Haydn, The English Concert, Trevor Pinnock | B♭ Major | 1 | 6B | 150 BPM | ||
| Oboe Concerto in C Major, Hob. VIIg:C1: II. Andante | Joseph Haydn, Paul Goodwin, Trevor Pinnock, The English Concert | E Major | 0 | 12B | 136 BPM | ||
| Grande Pièce royale, que le Roi demandait souvent | Michel Richard Delalande, Vincent Dumestre, Le Poème Harmonique | F Minor | 2 | 4A | 123 BPM | ||
| Alceste, Incidental Music, HWV 45: Grand Entrée. Maestoso | George Frideric Handel, Michael Laird, The English Concert, Trevor Pinnock | A Major | 2 | 11B | 119 BPM | ||
| Ode for St. Cecilia's Day, HWV 76: March | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
| Purcell: The Fairy Queen, Z. 629, Act 4: No. 30, Symphony (Arr. for Trumpet) | Henry Purcell, Alison Balsom, Trevor Pinnock, The English Concert | D♭ Major | 1 | 3B | 122 BPM | ||
| Hasse: Serpentes ignei in deserto: Introduzione: II. Fugue | Johann Adolf Hasse, Thibault Noally, Les Accents | A Major | 2 | 11B | 83 BPM | ||
| The Tempest, Z. 631, "The Enchanted Island": Neptune' Masque, Act V, No. 14 (Air) | Thomas Shadwell, Aradia Ensemble, Rosemarie van der Hooft, Gillian Keith, Meredith Hall, Nils Brown, Michael Colvin, Brett Polegato, Paul Grindlay, John Dryden, Henry Purcell | C Major | 2 | 8B | 175 BPM | ||
| The Indian Queen, Z. 630 : Act III - Third Act Tune (Rondeau) | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | A♭ Major | 0 | 4B | 114 BPM |