"Trio Suite for Percussion: II. March" by John Cage, Empty Words Percussion Ensemble, Sergio Armaroli, Andrea Dulbecco, Maurizio Ben Omar, Elio Marchesini had its release date on June 23, 2017. With This song being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 9 in the song's album "Percussion Works, Vol. 1". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Italy. Trio Suite for Percussion: II. March is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trio Suite for Percussion: II. March by John Cage, Empty Words Percussion Ensemble, Sergio Armaroli, Andrea Dulbecco, Maurizio Ben Omar, Elio Marchesini having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Schoenberg - 4 Pieces from 6 Kleine Klavierstucke, Op. 19: No. 6. Sehr langsam | Hans Abrahamsen, Arnold Schoenberg, BIT20 Ensemble, Ilan Volkov | G Major | 0 | 9B | 0 BPM | ||
| Piano & Violoncello 6 | Irena And Vojtech Havlovi | G Minor | 1 | 6A | 65 BPM | ||
| Le marteau sans maître: I. Avant "L'Artisanat furieux" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | F Minor | 0 | 4A | 173 BPM | ||
| Játékok / 3.: 39. Hommage à Christian Wolff (Félálomban) | György Kurtág | D Minor | 0 | 7A | 141 BPM | ||
| Aheym | Bryce Dessner, Mari Samuelsen, Soyoung Yoon, Karolina Errera, Alexander Kovalev | C Minor | 3 | 5A | 145 BPM | ||
| Klavierstück IV | Karlheinz Stockhausen, Miharu Ogura | F Minor | 0 | 4A | 83 BPM | ||
| Márta's Ligature | György Kurtág | C Minor | 1 | 5A | 141 BPM | ||
| Thoughts | Echos in tempo | C Minor | 1 | 5A | 141 BPM | ||
| Lachenmann: Wiegenmusik | Helmut Lachenmann, Bertrand Chamayou | D♭ Major | 0 | 3B | 72 BPM | ||
| Musica ricercata No. 7 in B-Flat Major | György Ligeti, Khatia Buniatishvili | E♭ Major | 0 | 5B | 87 BPM | ||
| Das alte Jahr vergangen ist, BWV 614: Hommage à Reinbert de Leeuw | Johann Sebastian Bach, Márta Kurtág, György Kurtág | C Major | 0 | 8B | 54 BPM | ||
| Piano & Violoncello 7 | Irena And Vojtech Havlovi | C Major | 1 | 8B | 79 BPM | ||
| Játékok / 5.: 9. Aus der Ferne | György Kurtág, Márta Kurtág | G Minor | 0 | 6A | 66 BPM | ||
| New York Counterpoint: I. Fast | Steve Reich, Evan Ziporyn | F♯ Major | 3 | 2B | 83 BPM | ||
| Partita, Op. 2: III. Larghetto | Georgijs Osokins, Arvo Pärt | F♯ Major | 2 | 2B | 112 BPM | ||
| Etudes, Book 1: No. 5, Arc-en-ciel | György Ligeti, Khatia Buniatishvili | A Major | 0 | 11B | 130 BPM | ||
| 6 Encores: No. 3, Wasserklavier | Luciano Berio, Hélène Grimaud | B♭ Minor | 0 | 3A | 81 BPM | ||
| All In Circles | Shida Shahabi | A♭ Major | 1 | 4B | 146 BPM | ||
| Portone | Zeno Gabaglio | C Minor | 0 | 5A | 137 BPM | ||
| The Perilous Night: I. Crotchet = 176 | John Cage, Marc-André Hamelin | F♯ Major | 0 | 2B | 66 BPM | ||
| Symphony for Eight | Philip Glass, Cello Octet Conjunto Ibérico, Elias Arizcuren | F Major | 2 | 7B | 122 BPM | ||
| She In The Light | Irena And Vojtech Havlovi | A Major | 1 | 11B | 114 BPM | ||
| Tabula rasa: I. Ludus. Con moto - Live | Arvo Pärt, Gidon Kremer, Tatiana Grindenko, Alfred Schnittke, Lithuanian Chamber Orchestra, Saulus Sondeckis | A Minor | 1 | 8A | 95 BPM | ||
| Holocaust In Memoriam, Symphony: I. Preludio, Pt. 3 (Live) | Maya Badian, Romanian National Radio Orchestra, Ludovic Bács | F♯ Minor | 3 | 11A | 80 BPM | ||
| Carbon Date Solo Cello | Ernst Reijseger | G Major | 3 | 9B | 120 BPM |