Arthur Miller, Emily Bergl, Kevin Chamberlin, Tim DeKay, James Gammon, Lee Garlington, Graham Hamilton, Tom McGowan, Kurtwood Smith, Russell Soder, Tegan West, James Farentino, Arye Gross, Julie Harris, Mitchell Hebert, Naomi Jacobson, Barbara Klein, Paul Morella, Michaeleen O'Neil, Nathan Taylor, Jerry Whiddon, Steven Culp, Maureen Flannigan, Jason Henning, Jane Kaczmarek, Stacy Keach, Sam McMurray, Kathryn Meisle, Tim Monsion, John Sloan, Kate Steele, Kenneth Alan Williams, Irene Aranga, Rene Auberjonois, Ed Begley Jr., Bud Cort, Richard Dreyfuss, Judyann Elder, Hector Elizondo, Fionnula Flanagan, Ann Hearne, Carol Kane, Joe Spano, Michael York, Charles Cioffi, Harry Hamlin, Jamie Hanes, Mary McDonnell, Peter Morse, Ed O'Neill's ' "Chapter 261 - The Arthur Miller Collection" was released on its scheduled release date, August 15, 2011. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 359 in the song's album "The Arthur Miller Collection". In this album, this song's track order is #81. Furthermore, we believe that the track originated from Germany. Chapter 261 - The Arthur Miller Collection is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Chapter 261 - The Arthur Miller Collection by Arthur Miller, Emily Bergl, Kevin Chamberlin, Tim DeKay, James Gammon, Lee Garlington, Graham Hamilton, Tom McGowan, Kurtwood Smith, Russell Soder, Tegan West, James Farentino, Arye Gross, Julie Harris, Mitchell Hebert, Naomi Jacobson, Barbara Klein, Paul Morella, Michaeleen O'Neil, Nathan Taylor, Jerry Whiddon, Steven Culp, Maureen Flannigan, Jason Henning, Jane Kaczmarek, Stacy Keach, Sam McMurray, Kathryn Meisle, Tim Monsion, John Sloan, Kate Steele, Kenneth Alan Williams, Irene Aranga, Rene Auberjonois, Ed Begley Jr., Bud Cort, Richard Dreyfuss, Judyann Elder, Hector Elizondo, Fionnula Flanagan, Ann Hearne, Carol Kane, Joe Spano, Michael York, Charles Cioffi, Harry Hamlin, Jamie Hanes, Mary McDonnell, Peter Morse, Ed O'Neill having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Radically | ShowBoy | D Major | 1 | 10B | 133 BPM | ||
| The Ballad of the Long-Legged Bait | Richard Burton | D♭ Major | 1 | 3B | 90 BPM | ||
| Victorian London, Pt. 10 | Paul the Dreamtraveler | G Major | 0 | 9B | 79 BPM | ||
| Chapter 41 - Right Ho, Jeeves | P. G. Wodehouse, Simon Jones | F♯ Minor | 3 | 11A | 100 BPM | ||
| The Case of the Baby-Baby and the Evil Glucksey, Pt. 2 | Sean William, Gordon C. Gauthier, Scott Hull | C Major | 2 | 8B | 83 BPM | ||
| Chapter 03: The Future of Falkenstein | Bibi and Tina | D♭ Major | 3 | 3B | 80 BPM | ||
| Sonria Ya Segunda Parte | Tangalanga | F Major | 4 | 7B | 78 BPM | ||
| Chapter 4.3 - Animal Farm | George Orwell | E♭ Major | 3 | 5B | 76 BPM | ||
| Game Heads | Chris Barrie | A♭ Major | 3 | 4B | 110 BPM | ||
| A Nocturnall | Richard Burton | E♭ Major | 2 | 5B | 113 BPM | ||
| The Hitchhiker | Grim Reaper Players, Ingrid McNeely, Rose McNeely, Tom Joyal, Harry Whitaker, Maria Casler, Uncle Guts | A♭ Major | 4 | 4B | 83 BPM | ||
| Almost Perfect | Shel Silverstein | C Major | 0 | 8B | 175 BPM | ||
| A Dream within a Dream | Edgar Allan Poe, Charlie Perry | F♯ Minor | 1 | 11A | 133 BPM | ||
| As I Walked out One Evening | W. H. Auden | B♭ Minor | 2 | 3A | 112 BPM | ||
| Church Going | Philip Larkin | D♭ Major | 1 | 3B | 141 BPM | ||
| Isaac’s Birth | Riley Weber | E Major | 5 | 12B | 171 BPM | ||
| Mock Orange | Louise Gluck | B♭ Minor | 4 | 3A | 111 BPM | ||
| Nature | Spiritual Unfoldment with John Butler | D♭ Major | 0 | 3B | 118 BPM | ||
| The Creation Story | Riley Weber | C Major | 5 | 8B | 166 BPM | ||
| Two Tramps in Mud Time | Robert Frost | A Major | 1 | 11B | 83 BPM | ||
| Ghost Story | Nik_Poetry | A♭ Major | 2 | 4B | 107 BPM | ||
| Fairytale Worlds, Pt. 7 | Paul the Dreamtraveler | C Major | 2 | 8B | 96 BPM | ||
| Talent Becomes the Glucksey | Sean William, Gordon C. Gauthier, Scott Hull, Masterdisk | B Minor | 1 | 10A | 181 BPM | ||
| Slaughterhouse 5, Pt. 10 | Kurt Vonnegut | F Major | 1 | 7B | 87 BPM | ||
| Survived | !nf!n!te Bridgs, Das Sous | E Minor | 5 | 9A | 92 BPM |