"Messiaen: Quatuor pour la fin du temps: V. Louange à l'éternité de Jésus" by Olivier Messiaen, Erich Gruenberg, Gervase De Peyer, William Pleeth, Michel Béroff had its release date on September 8, 2008. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Olivier Messiaen, Michel Béroff's "Messiaen: Quartet for the End of Time; Chronochromie" album is number 5 out of 15. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Messiaen: Quatuor pour la fin du temps: V. Louange à l'éternité de Jésus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messiaen: Quatuor pour la fin du temps: V. Louange à l'éternité de Jésus by Olivier Messiaen, Erich Gruenberg, Gervase De Peyer, William Pleeth, Michel Béroff to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Music for Strings, Percussion & Celesta, Sz. 106: II. Allegro | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 2 | 3B | 142 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | E Major | 2 | 12B | 76 BPM | ||
| Serenade after Plato’s Symposium for Solo Violin, Strings, Harp, and Percussion: I. Phaedrus - Pausanias. Lento - Allegro marcato | Philip Glass, Leonard Bernstein, Dennis Russell Davies, Bruckner Orchester Linz, Renaud Capuçon | C Minor | 2 | 5A | 165 BPM | ||
| Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
| Turangalîla Symphonie: 7. Turangalîla 2 | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | D Minor | 1 | 7A | 84 BPM | ||
| Six Encores: III. Wasserklavier | Luciano Berio, Andrea Lucchesini | D♭ Major | 0 | 3B | 82 BPM | ||
| Piano Concerto: Movement I | Unsuk Chin, Myung-Whun Chung, Seoul Philharmonic Orchestra, Sunwook Kim | A Major | 4 | 11B | 106 BPM | ||
| Piano Concerto No. 1, Op. 45: I. Con grandezza | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | G Major | 1 | 9B | 70 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 5 | John Cage, Boris Berman | A Major | 0 | 11B | 92 BPM | ||
| Préludes: 4. Instants défunts | Olivier Messiaen, Pierre-Laurent Aimard | D Major | 0 | 10B | 132 BPM | ||
| Rothko Chapel 3 | Morton Feldman | D♭ Major | 0 | 3B | 74 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM | ||
| Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | C Minor | 1 | 5A | 131 BPM | ||
| On Hearing The First Cuckoo In Spring | Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras | G Major | 0 | 9B | 109 BPM | ||
| Barcarolle No. 12, Op. 106 bis | Gabriel Fauré, Louis Lortie | E♭ Major | 0 | 5B | 107 BPM | ||
| 7 Papillons: No. 5, — | Kaija Saariaho, Anssi Karttunen | D Major | 2 | 10B | 61 BPM | ||
| D'un jardin clair | Lili Boulanger, Emile Naoumoff | C Minor | 0 | 5A | 71 BPM | ||
| The Unanswered Question | Charles Ives, Royal Northern Sinfonia, James Sinclair | C Major | 0 | 8B | 63 BPM | ||
| Fratres (Version for String Quartet) | Arvo Pärt, Rudolf Werthen, Arnold Kobyliansky, Michael Kugel, France Springuel | C Minor | 0 | 5A | 73 BPM | ||
| Symphony No. 3: I. Langsom, breit, ruhig | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | C Minor | 1 | 5A | 82 BPM | ||
| Quartet for the End of Time | Olivier Messiaen, The Fibonacci Sequence, Jack Liebeck, Julian Farrell, Benjamin Hughes, Kathron Sturrock | C Minor | 0 | 5A | 129 BPM | ||
| Langsamer Satz | Anton Webern, Leonkoro Quartet | C Minor | 1 | 5A | 131 BPM | ||
| Le banquet céleste | Olivier Messiaen, Olivier Latry | F♯ Major | 0 | 2B | 94 BPM | ||
| Rothko Chapel 4 | Morton Feldman | A Minor | 0 | 8A | 82 BPM | ||
| Martinu: Piano Quartet No. 1, H. 287: II. Adagio | Bohuslav Martinů, Domus | D Minor | 1 | 7A | 85 BPM |