Robert Sudall's 'Candescence' had a release date set for 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 5 in Candescence by Robert Sudall. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Candescence is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Candescence by Robert Sudall is Vivace (lively and fast), since this song has a tempo of 175 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pliés | SuYeon Park | C Major | 2 | 8B | 92 BPM | ||
| This Is What I Offer | Ksusha Kids | D Major | 1 | 10B | 74 BPM | ||
| Think of me | Jessica An | A Minor | 1 | 8A | 91 BPM | ||
| Ready Before the Call | Leopold Sinclair | F Major | 0 | 7B | 68 BPM | ||
| Medium Allegro 2 | Robert Sudall | F Minor | 2 | 4A | 103 BPM | ||
| Plie 6/8 64 Counts | Marina Stolyar | F Major | 0 | 7B | 109 BPM | ||
| Battement Tendu Simple I | Mario Richter | A♭ Major | 1 | 4B | 119 BPM | ||
| Adagio I | 지하영 | A♭ Major | 3 | 4B | 122 BPM | ||
| Adagio II | Mario Richter | D Major | 0 | 10B | 127 BPM | ||
| Sissonne | Robert Sudall | E♭ Major | 2 | 5B | 100 BPM | ||
| Grands Battements 2 | Robert Sudall | F Minor | 1 | 4A | 73 BPM | ||
| Easy Pick | Donna Floria | A♭ Minor | 0 | 1A | 56 BPM | ||
| Bach (Adagio, Center Floor Technique) | David Howard, Douglas Corbin | D♭ Major | 1 | 3B | 94 BPM | ||
| Pirouettes (Carmen by G. Bizet) | G. Bizet, 신나래 | G Major | 3 | 9B | 76 BPM | ||
| Bewitched, Bothered and Bewildered - Warm up | Peter James | E♭ Major | 2 | 5B | 163 BPM | ||
| Battements fondus | 정지인 | G Major | 2 | 9B | 112 BPM | ||
| Between Cloud and Mountain | Robert Sudall | B♭ Minor | 1 | 3A | 71 BPM | ||
| Adage 1 (The Merry Widow) | Nate Fifield | A Minor | 1 | 8A | 91 BPM | ||
| 4 Tendus 5th | Dan Turcanu | C Major | 1 | 8B | 120 BPM | ||
| Plie 1 (3/4) | Marina Surgan | E♭ Major | 3 | 5B | 129 BPM | ||
| Alert and Attentive Rhythms | Hugo Focus | D♭ Major | 0 | 3B | 68 BPM | ||
| Mi Bendición - Tendu I | Caleb Ruiz | G Major | 2 | 9B | 183 BPM | ||
| Pliés | 지하영 | A♭ Major | 3 | 4B | 122 BPM | ||
| Floor Work: Marshmallow Hands | Nolwenn Collet | F Major | 3 | 7B | 162 BPM | ||
| Warm up 2/4 64 Counts | Marina Stolyar | B Minor | 2 | 10A | 112 BPM |