"Get off My Land" by Martin Phipps, Natalie Holt had its release date on September 19, 2014. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Get off My Land's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "The Honourable Woman (Music from the Original TV Series)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Get off My Land's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Get off My Land by Martin Phipps, Natalie Holt having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Constantine | Thomas Newman | C Minor | 1 | 5A | 172 BPM | ||
| Black Minds | Liliya Kumar, Lofi Chills | A♭ Minor | 2 | 1A | 120 BPM | ||
| Cloud Atlas Finale | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 2 | 8B | 97 BPM | ||
| Aberfan | Martin Phipps | A♭ Major | 0 | 4B | 80 BPM | ||
| You Need to Trust Me | Steven Price | E Minor | 2 | 9A | 79 BPM | ||
| Roll Call | Steve Jablonsky | F Major | 1 | 7B | 140 BPM | ||
| Who I Want to Be | David Arnold, Michael Price | A Minor | 2 | 8A | 163 BPM | ||
| Mary Shelley | Amelia Warner | C Major | 2 | 8B | 127 BPM | ||
| Delivering the News | Howard Shore | A Minor | 0 | 8A | 117 BPM | ||
| Let Me Die | Abel Korzeniowski | G Minor | 2 | 6A | 168 BPM | ||
| A | Thomas Farnon | G Minor | 2 | 6A | 50 BPM | ||
| The Faculty Wife | Jocelyn Pook | A♭ Major | 0 | 4B | 73 BPM | ||
| Venus | Edmund Percival Montfort | C Major | 8 | 8B | 105 BPM | ||
| Frozen Heartbeat | Nikos Georgiou | A Minor | 2 | 8A | 88 BPM | ||
| Liaison Theme | Walter Mair | A Minor | 7 | 8A | 126 BPM | ||
| Voices (Remix) | Martin Phipps, The Chamber Orchestra Of London | C Minor | 1 | 5A | 166 BPM | ||
| Stillness Of The Mind | Abel Korzeniowski | A Minor | 0 | 8A | 75 BPM | ||
| Into the Cave | Antonio Pinto | B Major | 1 | 1B | 80 BPM | ||
| The Hunter | Matteo Zingales, Michael Lira, Andrew Lancaster | F♯ Minor | 1 | 11A | 142 BPM | ||
| Captain, I Need You to Do an Impossible Task | Dan Romer | F Minor | 1 | 4A | 66 BPM | ||
| They Were Starting to Like Me | David Hirschfelder | G Minor | 1 | 6A | 115 BPM | ||
| Rosary | Anne Nikitin | A Minor | 2 | 8A | 70 BPM | ||
| Bonus Track: The Culmination | Nicholas Britell | A Minor | 2 | 8A | 80 BPM | ||
| Aningaaq | Steven Price | F Major | 0 | 7B | 59 BPM | ||
| Marlo and Ray | Nathan Barr | D Minor | 0 | 7A | 73 BPM |