Xtyrantx's 'Gone Tomorrow' had a release date set for June 4, 2007. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Gone Tomorrow's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Welcome To Hell by Xtyrantx. The song's track number on the album is #6 out of 10 tracks. Gone Tomorrow is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Gone Tomorrow by Xtyrantx has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Gone Tomorrow being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Genocide | Line Of Scrimmage | G Major | 9 | 9B | 128 BPM | ||
| Problems | When These Days End | C Major | 9 | 8B | 145 BPM | ||
| No One Gets Out Alive | Kickback | A Major | 9 | 11B | 147 BPM | ||
| Timing | When These Days End | E Minor | 8 | 9A | 156 BPM | ||
| Visualize Industrial Collapse | Day Of Suffering | G Major | 8 | 9B | 94 BPM | ||
| Our Way | Bulldoze | F♯ Major | 7 | 2B | 114 BPM | ||
| Deterioration | No Truth | D♭ Major | 10 | 3B | 87 BPM | ||
| Cycles of Suffering | Laid 2 Rest | A♭ Major | 8 | 4B | 147 BPM | ||
| The Real Deal | When These Days End | C Major | 9 | 8B | 145 BPM | ||
| Promises | When These Days End | C Major | 9 | 8B | 145 BPM | ||
| Beacon | Regression | E♭ Minor | 7 | 2A | 84 BPM | ||
| At Your Mercy | Foundation | D Major | 10 | 10B | 180 BPM | ||
| Ghetto Ain't Hard Ghetto is Hell | CDC | G Major | 9 | 9B | 133 BPM | ||
| Transcendence | Irate (NYC) | C Major | 6 | 8B | 80 BPM | ||
| Night on the Town | Swear to God | E Major | 9 | 12B | 142 BPM | ||
| Nowhere to Run | RECON | E Minor | 7 | 9A | 160 BPM | ||
| Haterz Be Damned | 25 Ta Life | D Major | 9 | 10B | 170 BPM | ||
| Blind | First Degree | D Major | 9 | 10B | 114 BPM | ||
| Doctrine Disease | Keep It Real | G Major | 9 | 9B | 79 BPM | ||
| Out of Frame | NO WITNESSES, Idle Hands | D♭ Minor | 9 | 12A | 103 BPM | ||
| Ten American Days | CDC | G Major | 10 | 9B | 136 BPM | ||
| Dead Beat | Cast Aside | A♭ Major | 9 | 4B | 134 BPM | ||
| Self Destruct | Cast Aside | B Major | 9 | 1B | 80 BPM | ||
| Let It Grow | 50 Caliber | F♯ Major | 9 | 2B | 114 BPM | ||
| Shellshock | I.E.D. | D♭ Major | 10 | 3B | 132 BPM |