"Messe de Barcelone (Barcelone-Bbc, ms. 971): Credo – De Sortes" by Anonymous Anonymous, Ensemble Gilles Binchois, Dominique Vellard had its release date on May 24, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Anonymous Anonymous, Ensemble Gilles Binchois, Dominique Vellard's "Messes de Barcelone et d'Apt" album is number 3 out of 17. On top of that, France appears to be the country where this track was created. Based on our statistics, Messe de Barcelone (Barcelone-Bbc, ms. 971): Credo – De Sortes's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messe de Barcelone (Barcelone-Bbc, ms. 971): Credo – De Sortes by Anonymous Anonymous, Ensemble Gilles Binchois, Dominique Vellard to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Let Our Mouths Be Filled - Novgorod Melody, Tone 2 | St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan | F♯ Major | 1 | 2B | 80 BPM | ||
| Svetilen of Easter | Choir of the Monks of Chevetogne | B Major | 1 | 1B | 97 BPM | ||
| A solis ortus cardine | Voci di Sorelle | E♭ Major | 1 | 5B | 87 BPM | ||
| Author of Light | Thomas Campion, Grace Davidson, Julian Perkins | F♯ Major | 2 | 2B | 118 BPM | ||
| Missa Corpis Domini, ZWV 3: Et incarnatus est | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Václav Luks | F♯ Major | 2 | 2B | 118 BPM | ||
| 열심히 일한자들이여 쉬어라 - 벨라 차오 Bella Ciao | fantazy aria fantazy aria, Anonymous Anonymous, 마에스트로 타임 Maestro Time | G Minor | 0 | 6A | 80 BPM | ||
| The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
| Ave victorioso e sancto legno | Marchetto Cara, Tessa Bonner, James Gilchrist, Julian Podger, Jonathan Arnold | E Minor | 1 | 9A | 118 BPM | ||
| Gaude, mater Polonia (Polish, 13th century) | Early Music New York | F Major | 1 | 7B | 70 BPM | ||
| Passion Week, Op. 58: VIII. The Wise Thief | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Major | 0 | 4B | 65 BPM | ||
| Orthodox Gregorian Calm Templar Chant | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | F♯ Major | 1 | 2B | 83 BPM | ||
| Surely He Has Borne Our Griefs | Richard Hillert | E♭ Major | 2 | 5B | 66 BPM | ||
| Fayrfax: Magnificat "Regale": III. Deposuit potentes desede | Robert Fayrfax, Choir of King's College, Cambridge, Stephen Cleobury | F♯ Major | 1 | 2B | 88 BPM | ||
| In I Vesperis: Antiphona. Ex quo omnia | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
| COURTESY | Yasuharu Takanashi, NDR Radiophilharmonie, Pop-Up, Michael England | F♯ Major | 2 | 2B | 118 BPM | ||
| Isorhythmic Motets: Ecclesie militantis - Sanctorium arbitrio - Bella canunt gentes | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | D Minor | 2 | 7A | 82 BPM | ||
| All shall be Amen and Alleluia | James Whitbourn, Westminster Williamson Voices, Jacob Ezzo, Jonathan Palmer Lakeland, Ken Cowan, James Jordan | C Major | 2 | 8B | 75 BPM | ||
| The Crystal Sea of Mercy SHZ 196 | Laestadian Lutheran Church, Liisa Keranen | B♭ Minor | 1 | 3A | 169 BPM | ||
| Israel in Egypt, HWV 54, Pt I. "Lamentations of the Israelites for the Death of Joseph": V. Their bodies are buried in peace (Chorus) | George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers | A Minor | 0 | 8A | 66 BPM | ||
| Missa Rigensis: I. Kyrie eleison | Uģis Prauliņš, Irene Messoloras, Meridian | G Minor | 1 | 6A | 135 BPM | ||
| William Byrd - Gloria | Quire of Voyces | F Minor | 3 | 4A | 84 BPM | ||
| Holy Spirit Mass: The Spirit's Work: Come | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Minor | 1 | 4A | 127 BPM | ||
| Introit in Shadow | Night Monastery | F♯ Major | 2 | 2B | 118 BPM | ||
| Carrying Celadus / Honor His Memory | Joseph Loduca | F♯ Major | 2 | 2B | 118 BPM | ||
| Liturgy of St. John Chrysostom: No. 5, Antiphon III (The Beatitudes) | Benedict Sheehan, The Saint Tikhon Choir | D♭ Major | 2 | 3B | 129 BPM |