Birmingham Light Orchestra's 'Here, There and Everywhere' had a release date set for 2002. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Here, There and Everywhere's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Warm Evening Moods by Birmingham Light Orchestra. The song's track number on the album is #8 out of 16 tracks. Based on our data, Australia was the country where this track was produced or recorded. In terms of popularity, Here, There and Everywhere is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
Since Here, There and Everywhere by Birmingham Light Orchestra has a tempo of 104 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Here, There and Everywhere being at 104 BPM, the half-time would be 52 BPM with a double-time of 208 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yesterday | Nathan Reed | F Major | 1 | 7B | 98 BPM | ||
| Perfect | SaxAndViolin, Eli Bennett, Rosemary Siemens | A♭ Major | 3 | 4B | 95 BPM | ||
| Bilitis | Orquesta Romanticos de La Habana | D♭ Major | 0 | 3B | 125 BPM | ||
| Lost Without Your Love | The Intimate Orchestra | B♭ Major | 3 | 6B | 145 BPM | ||
| My Little Love | Frank Mills | A Minor | 0 | 8A | 92 BPM | ||
| What a Wonderful World | Sebastian Vargas | D♭ Major | 2 | 3B | 184 BPM | ||
| Annie’s Song | Philippe Dubois | C Major | 1 | 8B | 112 BPM | ||
| Don't Cry For Me Argentina | The Royal Sax Company | D♭ Major | 1 | 3B | 71 BPM | ||
| The Power of Love | Sebastian Vargas | F Major | 4 | 7B | 149 BPM | ||
| Tengo Todo Excepto a Ti | Giovanni Vivanco | C Major | 4 | 8B | 76 BPM | ||
| With You I'm Born Again | Botticelli | E Minor | 3 | 9A | 170 BPM | ||
| Dream a Little Dream of Me | Nathan Reed | E♭ Major | 2 | 5B | 88 BPM | ||
| No Se Tu | Adrian Perticone | B♭ Minor | 3 | 3A | 77 BPM | ||
| Cabatina | Discovey Light Orchestra | E Major | 3 | 12B | 180 BPM | ||
| Di Tu, Di Yo | Carl Hansen | C Major | 4 | 8B | 95 BPM | ||
| Dejaría Todo | Stars Magical Orchestra | A♭ Major | 6 | 4B | 143 BPM | ||
| Yesterday | Pierre Charlon | E Minor | 4 | 9A | 88 BPM | ||
| You Are the Sunshine of My Life | Richard Zillersman | C Major | 4 | 8B | 140 BPM | ||
| Without You | 50 Guitars of Tommy Garrett | C Major | 3 | 8B | 72 BPM | ||
| In Your Arms Again | SounDSG | C Major | 5 | 8B | 89 BPM | ||
| Jambalaya (On the Bayou) | Birmingham Light Orchestra | B Major | 3 | 1B | 130 BPM | ||
| Yesterday (Instrumental) | Maximo Spodek | F♯ Minor | 4 | 11A | 180 BPM | ||
| Love Is Still Blue | Box Tree Orchestra | D Minor | 5 | 7A | 126 BPM | ||
| A Donde Pertenecemos (Contra el Destino) [Up Where We Belong] | Sound Unlimited Orch. Y The London Philarmonic Orch. | D Major | 2 | 10B | 140 BPM | ||
| A Whiter Shade Of Pale | Golden Strings Orchestra | C Major | 4 | 8B | 130 BPM |