Rajkumari's ' "Dil Rote Rote So Gaya" was released on its scheduled release date, December 31, 1950. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ghulam Mohammed's "Hanste Ansoo (Original Motion Picture Soundtrack)" album is number 3 out of 9. On top of that, India appears to be the country where this track was created. Dil Rote Rote So Gaya is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Dil Rote Rote So Gaya by Rajkumari to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tum Nahin Paas To Duniya Meri | Rajkumari | A♭ Major | 3 | 4B | 125 BPM | ||
| Meri Chalti Phirti Phoolwari | Maya Banerjee, Satish | A♭ Major | 9 | 4B | 160 BPM | ||
| Asar Asha Bhabe Asa | Pannalal Bhattacharya | E Major | 0 | 12B | 97 BPM | ||
| Kabhi Aah Lab Pe Machal Gayi | Ghulam Ali | A Major | 3 | 11B | 130 BPM | ||
| Main Tangewala | Zeenat Begum, S. D. Batish | E Major | 3 | 12B | 130 BPM | ||
| O I See Ye Dekho Duniya Ka Rang | Amirbai Karnataki, Rajkumari | A Major | 3 | 11B | 99 BPM | ||
| Ei Sanjhjhara Lagane | Sandhya Mukherjee | B Major | 1 | 1B | 83 BPM | ||
| He Jagat Ke Malik Ram | Usha Mangeshkar | C Major | 5 | 8B | 106 BPM | ||
| Mon Keno Mayer Charanchhara | Dhananjay Bhattacharya | A♭ Major | 5 | 4B | 87 BPM | ||
| Tumi Chale Gele | Hemant Kumar | E Major | 2 | 12B | 176 BPM | ||
| Aai Ye Are Guzaren | Nayyara Noor | F Minor | 0 | 4A | 169 BPM | ||
| Akele Honge Ri Chal | Kesari, Rajkumari | A Major | 1 | 11B | 84 BPM | ||
| Jabse Pee Sang Naina Lage | Rajkumari | A Major | 2 | 11B | 132 BPM | ||
| E Nadi Emon Nadi | Manna Dey | E♭ Major | 3 | 5B | 114 BPM | ||
| Hari Din To Beeta Sham Huyi | Rajkumari | A Major | 1 | 11B | 78 BPM | ||
| Bendhechi Beena Gaan Shonabo | Parveen Sultana | G Minor | 3 | 6A | 78 BPM | ||
| Tumi Ki Emni Korei | Shyamal Mitra | C Minor | 2 | 5A | 87 BPM | ||
| Hoon Abhi Main Jawan | Geeta Dutt, Majrooh Sultanpuri | B Major | 5 | 1B | 121 BPM | ||
| Takar Jonno She Amare | Hamid Ali | E Minor | 8 | 9A | 136 BPM | ||
| Maai Jag Mein Jahar Sharda Ho Bundeli Maiya Ke Jas | Param Lal, Rajkumari, Kamla | F♯ Major | 9 | 2B | 112 BPM | ||
| Itna To Mat Satao | Kamala, Rajkumari, Tanveer Naqvi | D♭ Minor | 1 | 12A | 70 BPM | ||
| Bandhu Re Mere Bandhu Re | Gulab Bai, Ishwarlal, Kantilal | A♭ Minor | 2 | 1A | 109 BPM | ||
| Kato Dur Aar Kato Dur | Aarti Mukherji | C Minor | 2 | 5A | 91 BPM | ||
| Ja Tose Nahin Bolun Kanhaiya | Lata Mangeshkar, Manna Dey, Shailendra | D♭ Major | 4 | 3B | 101 BPM | ||
| Bahe Dheere Dheere Naiya | N. H. Shami, Vinod | D Minor | 6 | 7A | 135 BPM |