Christopher Deighton's ' "Hyper Drive" was released on its scheduled release date, August 21, 2018. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Hyper Drive's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Power Action Percussion". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Hyper Drive's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Hyper Drive by Christopher Deighton having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Berlin Foot Chase | John Powell, Pete Anthony, The Hollywood Studio Symphony | C Major | 6 | 8B | 80 BPM | ||
| Now I Take Everything from You (Trailer #1) | Dean Valentine | F Major | 3 | 7B | 110 BPM | ||
| Flight | David A. Molina | F♯ Minor | 5 | 11A | 92 BPM | ||
| The Darklands | Daniel Pemberton | D Major | 5 | 10B | 140 BPM | ||
| Riders of the Apocalypse | Kári Sigurðsson | E Minor | 9 | 9A | 115 BPM | ||
| The Castle | Adrián Berenguer | C Major | 5 | 8B | 142 BPM | ||
| Realm of Infinity | Tonal Chaos Trailer Music | D Major | 7 | 10B | 150 BPM | ||
| Tooling Up | Chris Benstead | D♭ Major | 1 | 3B | 121 BPM | ||
| Jaguar | Pinar Toprak, Emir Isilay | F Major | 4 | 7B | 98 BPM | ||
| Kleos | Charlie Ryan | A♭ Major | 8 | 4B | 130 BPM | ||
| The Fates of Calanthia | Sebastian Böhm | C Minor | 5 | 5A | 68 BPM | ||
| Talking To Angels | Tyler Strickland | C Major | 0 | 8B | 177 BPM | ||
| The Magnificence of Space | Christopher Deighton, Jonathan Buchanan | D♭ Major | 3 | 3B | 120 BPM | ||
| Night Gaze | Christopher Deighton, Jonathan Buchanan | D♭ Major | 7 | 3B | 124 BPM | ||
| Guardians | Dream Cave | D♭ Major | 5 | 3B | 98 BPM | ||
| We Have A Battleship | Steve Jablonsky | D Minor | 2 | 7A | 77 BPM | ||
| The Machination | NINJA TRACKS | A♭ Major | 6 | 4B | 64 BPM | ||
| Heading To Elysium | Ryan Amon | D♭ Major | 5 | 3B | 95 BPM | ||
| Dark Iron | Tiko Tiko | C Minor | 6 | 5A | 124 BPM | ||
| Vicious Intent | Nathan Klein | F Major | 3 | 7B | 107 BPM | ||
| Hotel Amari | Chris Benstead | D Major | 3 | 10B | 102 BPM | ||
| Juno Rising | Steve Horner | G Major | 4 | 9B | 75 BPM | ||
| Crimson Sands | Yuriy Melnik | C Major | 8 | 8B | 90 BPM | ||
| Back from the Edge | Ikoliks | B♭ Major | 4 | 6B | 76 BPM | ||
| Origin | David A. Molina | E♭ Major | 5 | 5B | 100 BPM |