Ballet Music For Class, MetodoVadim's 'Grand Adagio. Metre 4/4' had a release date set for June 1, 2019. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Grand Adagio. Metre 4/4's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Piano Music for Intermediate Ballet Class, Vol. 29". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Switzerland. In terms of popularity, Grand Adagio. Metre 4/4 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Grand Adagio. Metre 4/4 by Ballet Music For Class, MetodoVadim having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tango 2/4 (El Choclo) | The Ballet Pianist | D Minor | 3 | 7A | 126 BPM | ||
| Warm up 3/4 128 Counts. | Marina Stolyar | C Major | 0 | 8B | 82 BPM | ||
| Tendu 2/4 | Musicallet | D Major | 2 | 10B | 144 BPM | ||
| Step on Pointe: Étude Medley | Michael Cherry | A♭ Major | 0 | 4B | 125 BPM | ||
| Adage 4/4: Dos Oruguitas | Daniel Fifield | C Major | 0 | 8B | 121 BPM | ||
| Ballet for Kids. Demi Plié. | Vadim Proshich, MetodoVadim | F Major | 3 | 7B | 133 BPM | ||
| Frappes (with Repeat) | Miro Magloire, Wilhelm Burmann | G Major | 2 | 9B | 81 BPM | ||
| Across the Floor: Clap Hands and Galop! | Nolwenn Collet | F Major | 3 | 7B | 162 BPM | ||
| Warm up 2/4 64 Counts | Marina Stolyar | B Minor | 2 | 10A | 112 BPM | ||
| Tendu in 5th - 2/4 | Venti Petrov, Ferdy Tumakaka | F Minor | 3 | 4A | 183 BPM | ||
| Warm-up: French Waltz 1 | Gill Civil | G Minor | 1 | 6A | 118 BPM | ||
| Allegro II-Jetés, Assemblés: Center Floor Technique | David Howard, Joe Cross | E♭ Major | 3 | 5B | 109 BPM | ||
| Plié 3/4 | Fábio Oliveira | B Minor | 3 | 10A | 101 BPM | ||
| Tendu | Whitefeather Productions | C Minor | 1 | 5A | 97 BPM | ||
| Honor to Us All (From "Mulan"): Pas De Cheval 16x8 | Ray Lindsey | D Minor | 3 | 7A | 105 BPM | ||
| Grand allegro 1 in G-Major, ballet "La fille du Pharaon", Act 2, coda | Cesare Pugni, Konstantin Mortensen | G Major | 2 | 9B | 182 BPM | ||
| なごみのワルツ | nasa16 | A Major | 2 | 11B | 200 BPM | ||
| Traditional Folk Dance | Traditional, MetodoVadim | E♭ Major | 3 | 5B | 83 BPM | ||
| Grande Allegro Waltz | Adrienne Ramm | C Major | 4 | 8B | 99 BPM | ||
| Home (From "Beauty and the Beast"): Pre-Plié 2/4 16x8 | Ray Lindsey | C Major | 1 | 8B | 69 BPM | ||
| The Tide Is High (Rond De Jamb a Terre) [Slower] | A Dancer's Delight | C Major | 2 | 8B | 160 BPM | ||
| Plie 1 6/8 - Excerpt (From "The Sleeping Beauty", Act 2 No.14) | Craig Wingrove | D♭ Major | 1 | 3B | 208 BPM | ||
| Piqués/Double Fondus: Barre Technique | David Howard, Joe Cross | C Major | 4 | 8B | 145 BPM | ||
| La esmeralda, Act 1: Esmeralda variation - Battement tendu simple y jeté. Metre 4/4. | Cesare Pugni, MetodoVadim | C Minor | 1 | 5A | 87 BPM | ||
| Piano Quartet Op.47-3 (Adage4) | Miwa Hoshi | C Major | 3 | 8B | 102 BPM |