On January 1, 2002, the song "20 Estudios: No. 2, Estudio de Velocidad" was released by Francisco Tárrega, Giulio Tampalini. With This song being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 58 in the song's album "Tarrega: Complete Works for Guitar". In this album, this song's track order is #31. Furthermore, we believe that the track originated from Italy. Based on our statistics, 20 Estudios: No. 2, Estudio de Velocidad's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With 20 Estudios: No. 2, Estudio de Velocidad by Francisco Tárrega, Giulio Tampalini having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lauro: Romanza | Antonio Lauro, Sharon Isbin | D Major | 0 | 10B | 204 BPM | ||
| Preludio : Preludio | Adam Holzman, Manuel Ponce | A Major | 1 | 11B | 131 BPM | ||
| Suite populaire brésilienne, W020: No. 1, Mazourka-choro | Heitor Villa-Lobos, Andrea de Vitis | A Minor | 2 | 8A | 84 BPM | ||
| Guitar Sonata in A Major, Op. 29, No. 2: IV. Rondo. Allegretto (arr. J. Bream for guitar) | Anton Diabelli, Park Kyuhee | A Major | 1 | 11B | 77 BPM | ||
| Carcassi Op.60 N.5 Moderato | Matteo Carcassi, Lucio Matarazzo | G Major | 4 | 9B | 169 BPM | ||
| Ponce: 3 Canciones populares mexicanas: No. 2, Por ti mi corazón | Manuel Ponce, Eliot Fisk | A Minor | 3 | 8A | 84 BPM | ||
| Serie Americana: Choro | Hector Ayala, Victor Villadangos | E Minor | 0 | 9A | 140 BPM | ||
| Primavera Porteña | Stephanie Jones | C Major | 1 | 8B | 117 BPM | ||
| Dona Carmen | Carlos Moscardini, Victor Villadangos | D Major | 0 | 10B | 76 BPM | ||
| Suite No. 1 in D Major (Orig. G Major), BWV 1007: II. Allemande | Michael Nicolella | D Major | 2 | 10B | 68 BPM | ||
| Sonatina canonica, Op. 196: III. Fandango en Rondeau | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | E Minor | 0 | 9A | 68 BPM | ||
| 5 Bagatelles: I. Allegro | William Walton, Ana Vidović | A Minor | 1 | 8A | 141 BPM | ||
| Les guitares bien tempérées, Preludes and Fugues, Op. 199: Prelude No. 5 in B Minor (the Well-Tempered Guitars) | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | E Minor | 0 | 9A | 68 BPM | ||
| Homenaje a Toulouse-Lautrec | Eduardo Sainz De La Maza, Sven Lundestad | B Minor | 1 | 10A | 82 BPM | ||
| Canción triste | Carlos Fariñas, Marco Tamayo | A Minor | 0 | 8A | 111 BPM | ||
| Sonate romantique "Hommage à Schubert": II. Andante | Manuel Ponce, Marcin Dylla | A Major | 1 | 11B | 126 BPM | ||
| Sonata K53 | Anabel Montesinos, Özberk Miraç Sarıgül | A Major | 3 | 11B | 115 BPM | ||
| Soleares | Heike Matthiesen | F Major | 1 | 7B | 108 BPM | ||
| Miguel Fuenllana : Fantasia | Renata Tarragó | B♭ Minor | 1 | 3A | 117 BPM | ||
| La jota aragonese | Maria Dolores de Goñi, Heike Matthiesen | G Major | 0 | 9B | 70 BPM | ||
| Fernándo Ferrandiere : Minueto y contradanza de los currutacos | Renata Tarragó | A Major | 1 | 11B | 83 BPM | ||
| Fandanguillo, Op. 36 | Joaquín Turina, Simon Dinnigan | A Minor | 0 | 8A | 81 BPM | ||
| Invocación y danza: 1. Moderato | Joaquín Rodrigo, Pepe Romero | A Minor | 1 | 8A | 97 BPM | ||
| Suite compostelana: V. Cancion | Federico Mompou, Scott Tennant | A Minor | 0 | 8A | 82 BPM | ||
| El nino | Antonio Lauro, Adam Holzman | A Major | 0 | 11B | 59 BPM |