Francesco Durante, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Sir David Willcocks's 'Magnificat (Formerly Attrib. Pergolesi): Deposuit Potentes' had a release date set for August 1, 1966. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: Gloria; Pergolesi: Magnificat by Elizabeth Vaughan, Janet Baker, Ian Partridge, Christopher Keyte, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Sir David Willcocks. The song's track number on the album is #15 out of 17 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Magnificat (Formerly Attrib. Pergolesi): Deposuit Potentes is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Magnificat (Formerly Attrib. Pergolesi): Deposuit Potentes by Francesco Durante, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Sir David Willcocks has a tempo of 97 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Magnificat (Formerly Attrib. Pergolesi): Deposuit Potentes being at 97 BPM, the half-time would be 48 BPM with a double-time of 194 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cavatina da capo: Se d'un Dio fui fatta Madre | Giovanni Battista Ferrandini, Il Giardino Armonico, Giovanni Antonini, Bernarda Fink | B Minor | 1 | 10A | 69 BPM | ||
| Missa Votiva in E Minor, ZWV 18: XIX. Agnus dei | Jan Dismas Zelenka, Collegium 1704, Václav Luks, Hana Blaziková, Tomáš Kořínek, Tomáš Král | E♭ Minor | 2 | 2A | 98 BPM | ||
| Miserere in C Minor (Version for Mixed Choir): IV. Libera me de sanguinibus Deus | Johann Adolf Hasse, Accademia Barocca Lucernensis, Alberto Miguélez Rouco, Javier Ulises Illán | D Minor | 1 | 7A | 77 BPM | ||
| Stabat Mater: VIII. Virgo virginum | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
| Polifemo, HelN 31: Placidetti zeffiretti. Duo - Arr. for Voice & Piano | Nicola Porpora, Théophile Alexandre, Guillaume Vincent, Marion Tassou | A♭ Minor | 2 | 1A | 97 BPM | ||
| Sinfonie D-Dur, Wq. 183: Sinfonie D-Dur, Wq. 183: II. Largo | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D Major | 0 | 10B | 106 BPM | ||
| Campra: Messe de requiem: VI. Agnus Dei | André Campra, John Eliot Gardiner, The Monteverdi Choir, Wynford Evans, English Baroque Soloists | A♭ Major | 0 | 4B | 83 BPM | ||
| Sonate No.5 (Six Sonates en symphonies op. 3): 2. Aria: Gratioso | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | F♯ Minor | 0 | 11A | 106 BPM | ||
| Overture For Viola D'amore & Orchestra in D Minor, GWV 426: VI. Menuets 1 Et 2 (Alternativement) | Christoph Graupner, Les idées heureuses, Hélène Plouffe, Geneviève Soly | D♭ Minor | 1 | 12A | 168 BPM | ||
| Dixit Dominus, ZWV 66: Virgam virtutis tuae - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | D Minor | 1 | 7A | 66 BPM | ||
| Sinfonia in C Major: III. Allegro | Antonio Caldara, Collegium 1704, Vaclav Luks | D Major | 1 | 10B | 93 BPM | ||
| De lamentatione Jeremiæ prophetæ, Lectio secunda: No. 9, Larghetto. Aleph. Quomodo obscuratum | Francesco Durante, Mechthild Bach, Margarete Joswig, Collegium Cartusianum, Peter Neumann | F♯ Minor | 1 | 11A | 129 BPM | ||
| Magnificat (Formerly Attrib. Pergolesi): Magnificat | Francesco Durante, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 172 BPM | ||
| Cantate Domino | Francesco Cavalli, Gerlinde Sämann, Ecco la musica | E♭ Minor | 1 | 2A | 96 BPM | ||
| Stabat Mater, P. 77: VII. Alto. Eia mater, fons amoris | Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 125 BPM | ||
| Te Deum, H. 146: IX. "Fiat misericordia tua Domine" | Marc-Antoine Charpentier, Véronique Gens, Noemi Rime, Bernard Deletré, Les Arts Florissants, William Christie | D♭ Major | 0 | 3B | 106 BPM | ||
| Credo, RV. 591: Coro "Et resurrexit tertia die" | Antonio Vivaldi, Les Arts Florissants, Paul Agnew | B Minor | 1 | 10A | 75 BPM | ||
| Orfeo ed Euridice: Act II, Scene 2, Coro: Torna, o bella, al tuo consorte | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | F Major | 1 | 7B | 131 BPM | ||
| Messe de minuit pour Noël, H. 9: I. Kyrie: No. 4, Christe II - Kyrie | Marc-Antoine Charpentier, Gaétan Jarry, Marguerite Louise | C Minor | 4 | 5A | 95 BPM | ||
| 6 Sonates en symphonies, Op. 3, Sonata No. 1: II. Aria. Gratioso e poco piano | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | F♯ Major | 0 | 2B | 111 BPM | ||
| Ad presepe venite: Duet. Ardente luce amara (Alto, Tenor) [arr. M.A. Willens] | Francesco Durante, Roberta Mameli, Ursula Eittinger, Andreas Post, Stephan MacLeod, Orchester der Kölner Akademie, Michael Alexander Willens | A♭ Major | 1 | 4B | 131 BPM | ||
| Durante : Concerto for 2 Violins & Viola in G minor : III Largo affettuoso | Francesco Durante, Il Giardino Armonico, Giovanni Antonini | A Major | 0 | 11B | 85 BPM | ||
| A battaglia, pensieri: Aria. A battaglia, pensieri | Alessandro Scarlatti, Ruth Ziesak, Reinhold Friedrich, Budapest Strings, Karoly Botvay | C Major | 3 | 8B | 97 BPM | ||
| La flora: Trombe d'Ausonia | Marc'Antonio Ziani, Maria Keohane, Niklas Eklund, Wasa Baroque Ensemble, Edward Tarr | A♭ Minor | 0 | 1A | 99 BPM | ||
| Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: II. Caph | François Couperin, William Christie, Patricia Petibon, Sophie Daneman, Les Arts Florissants | C Minor | 0 | 5A | 76 BPM |