"Frontier Day" by Stephen Barton, Frederik Wiedmann had its release date on April 20, 2023. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Frontier Day's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 45 in the song's album "Star Trek: Picard, Season 3 (Original Series Soundtrack)". In this album, this song's track order is #29. Furthermore, we believe that the track originated from United States. Based on our statistics, Frontier Day's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Frontier Day by Stephen Barton, Frederik Wiedmann having a BPM of 153 with a half-time of 76 BPM and a double-time of 306 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hell of a Messenger | Frederik Wiedmann | D Minor | 2 | 7A | 105 BPM | ||
| Star Wars: Jedi Themes | 2Hooks | C Major | 3 | 8B | 83 BPM | ||
| Cleveland, Ohio 2022 | Natalie Holt | F Minor | 5 | 4A | 138 BPM | ||
| End Credits | Star Trek - First Contact | F Major | 2 | 7B | 54 BPM | ||
| Wonders of the World | Rafael Krux | B Minor | 4 | 10A | 105 BPM | ||
| Iontrap Mirage | Lumen Sonico | F Minor | 3 | 4A | 95 BPM | ||
| An Old Friend | Takeshi Furukawa | B♭ Minor | 2 | 3A | 85 BPM | ||
| Temporal Wake | Star Trek - First Contact | G Minor | 1 | 6A | 94 BPM | ||
| Limited Casualties | Thomas Newman | D Minor | 0 | 7A | 120 BPM | ||
| The Racing Line | Daniel Pemberton | A Major | 3 | 11B | 122 BPM | ||
| The King’s Verdict | Frederik Wiedmann | A♭ Major | 1 | 4B | 98 BPM | ||
| Carbon Mesa | Kris Bowers | E♭ Major | 4 | 5B | 69 BPM | ||
| 15th Doctor's Dark Theme - Dot and Bubble (from Doctor Who) | Tom Dabrowski | E Minor | 2 | 9A | 83 BPM | ||
| For Those We Never Meet - Bonus Track | Max Aruj, Alfie Godfrey | D Major | 2 | 10B | 115 BPM | ||
| Warrior's Code | Stephen Barton, Gordy Haab | D Minor | 4 | 7A | 81 BPM | ||
| 海之子 | Atli Örvarsson | A♭ Major | 7 | 4B | 98 BPM | ||
| Crippled Belle: The Landing | George Fenton | D♭ Minor | 1 | 12A | 151 BPM | ||
| Avengers: Age of Ultron - Heroes | Cinematic Symphony Orchestra | B Minor | 5 | 10A | 145 BPM | ||
| The Leap | Frederik Wiedmann | F♯ Minor | 4 | 11A | 113 BPM | ||
| Legacy of Atlantis (Tomb Raider inspired) | Dean Kopri | F Minor | 3 | 4A | 174 BPM | ||
| Angels of Emmeria - Alternative Version | Lucas Ricciotti | E Major | 3 | 12B | 84 BPM | ||
| Ascension of the Iron Skies | Adrian Valkor | F Minor | 3 | 4A | 174 BPM | ||
| Memphis Belle End Title Suite | George Fenton | E♭ Major | 1 | 5B | 113 BPM | ||
| Fairway To Greatness (PGA Tour) | VonLichten | C Major | 6 | 8B | 130 BPM | ||
| Ornithomimus & Nanuqsaurus | Anže Rozman, Kara Talve | C Major | 4 | 8B | 140 BPM |