Hazir's ' "Dil Toh Kya" was released on its scheduled release date, April 29, 2014. This song is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. The track order of this song in Hazir's "Hazir - 2" album is number 7 out of 8. On top of that, United States appears to be the country where this track was created. Based on our statistics, Dil Toh Kya's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Dil Toh Kya by Hazir to be Vivace (lively and fast) because the track has a tempo of 157 BPM, a half-time of 78BPM, and a double-time of 314 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Koel Bai | SAZ | B Major | 5 | 1B | 142 BPM | ||
| Jinke Honton Pe Hansi Paon Men Chhale Honge | Ghulam Ali | F Minor | 3 | 4A | 127 BPM | ||
| Ik Shuchapana Kondatha | Narasimhanayak Puttur, B. R. Chaya, K.S. Surekha | E♭ Minor | 4 | 2A | 94 BPM | ||
| Pyar Bhare Do Sarmile Nain | Mehdi Hassan | F Major | 3 | 7B | 148 BPM | ||
| Kaply Wala, Folk Song | Abdulrahman Surizehi | F Major | 5 | 7B | 145 BPM | ||
| Radhadhar Madhumilind | Anand Bhate, Rahul Deshpande | B Major | 7 | 1B | 126 BPM | ||
| Raga Alhaiya Bilawal - Raga Alhaiya Bilawal - Vilambit in Teentala - Drut Teentala | Kishori Amonkar | E♭ Major | 6 | 5B | 109 BPM | ||
| Sansaar Ke Logon Se | Rajeev Singh | C Minor | 6 | 5A | 88 BPM | ||
| Raga Sohni -tarana - Drut Teental | Mahesh Kale | A Major | 9 | 11B | 129 BPM | ||
| Aaye Na Balam (Pilu) (Thumri) | Ustad Bade Ghulam Ali Khan | F♯ Major | 2 | 2B | 103 BPM | ||
| Mahakali Shloka, Durga Saptashati | Pandit Chhannulal Mishra | E♭ Major | 3 | 5B | 99 BPM | ||
| Kakhan Harab Dukh Mor,He Bholanath | Sarda Sinha | A♭ Major | 3 | 4B | 112 BPM | ||
| Raga Abhogi | Veena Sahasrabuddhe | A Minor | 7 | 8A | 123 BPM | ||
| Woh Mujhse Huey Humkalam | Farida Khanum | F Major | 3 | 7B | 79 BPM | ||
| Khela Shesh Tor Korene Mon | Gostho Gopal Das | F♯ Major | 7 | 2B | 91 BPM | ||
| Theeratha Vilayattu Pillai (Instrumental) | Peri Thyagaraju | F Minor | 4 | 4A | 145 BPM | ||
| モール・バーイー | LANGAS, MANGANIYARS | E♭ Major | 3 | 5B | 104 BPM | ||
| Tarana in Mian Ki Malhar | Ali Akbar Khan | B♭ Major | 5 | 6B | 138 BPM | ||
| Magh Mein Shyam | Shobha Gurtu | D♭ Minor | 4 | 12A | 166 BPM | ||
| Duniya darshan ka hai mela | Pandit Chhannulal Mishra | F♯ Minor | 6 | 11A | 145 BPM | ||
| Shura Mee Vandile | Bharat Balvalli | E Major | 6 | 12B | 170 BPM | ||
| Maniharo | Langas, Manganiars | F♯ Major | 4 | 2B | 108 BPM | ||
| Tere | Stevas | D♭ Minor | 5 | 12A | 165 BPM | ||
| Haye Haye | Indira Naik | D♭ Minor | 4 | 12A | 80 BPM | ||
| Gulghula Vajti Tal | Baba Maharaj Satarkar | F♯ Minor | 5 | 11A | 119 BPM |