"Wüstenbuch (2009): Scene V - Live" by Beat Furrer, Klangforum Wien, Tora Augestad, Hélène Fauchère, Sébastian Brohier, Isabelle Menke, Olivia Grigolli, Catriona Guggenbühl, Bettina Stucky, Carina Brauchnschmidt, Ueli Jäggi had its release date on June 1, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 14 in Beat Furrer: Wüstenbuch by Beat Furrer, Klangforum Wien. Going off of the ISRC code of this track, we detected that the origin of this track is from Austria. Wüstenbuch (2009): Scene V - Live is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wüstenbuch (2009): Scene V - Live by Beat Furrer, Klangforum Wien, Tora Augestad, Hélène Fauchère, Sébastian Brohier, Isabelle Menke, Olivia Grigolli, Catriona Guggenbühl, Bettina Stucky, Carina Brauchnschmidt, Ueli Jäggi is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gougalōn, Scenes from a Street Theatre: IV. Episode between Bottles and Cans - Definitive Version 2011 | Unsuk Chin, Ensemble Intercontemporain, Pierre Bleuse | G Major | 1 | 9B | 100 BPM | ||
| Presto in C Minor, H.230 Wq.114/3 | Carl Philipp Emanuel Bach, Patricia Kopatchinskaja, Sol Gabetta | D♭ Major | 0 | 3B | 146 BPM | ||
| New York Counterpoint (Version for Clarinet & Tape): I. Quarter Note = 18 | Steve Reich, Andrea Nagy | F♯ Major | 3 | 2B | 92 BPM | ||
| Take me home | Martien van der Knijff | A♭ Major | 2 | 4B | 105 BPM | ||
| Outbreak ETA - Para Voz, Violín, Violonchelo, Flauta, Clarinete y Piano | Juan M. A. Herrera, Jimmy Herrera, Federico Gariglio | G Minor | 3 | 6A | 126 BPM | ||
| Luci mie Traditrici | Salvatore Sciarrino, Klangforum Wien, Beat Furrer, Peter Oswald | G Major | 2 | 9B | 99 BPM | ||
| In the Light of Air: III. Existence | Anna Thorvaldsdottir, International Contemporary Ensemble | A Major | 2 | 11B | 139 BPM | ||
| the little match girl passion: when it is time for me to go | David Lang, Theatre Of Voices, Paul Hillier | F Minor | 0 | 4A | 78 BPM | ||
| Tríptico R(ojo) | Renato Pedro Di Prinzio, Renato Di Prinzio | E♭ Major | 2 | 5B | 134 BPM | ||
| Bartók: String Quartet No. 3 in C-Sharp Minor, Sz. 85: I. Prima parte. Moderato | Béla Bartók, Belcea Quartet | B♭ Minor | 1 | 3A | 89 BPM | ||
| Castillo Interior: Adagio [Fig. 8] | Pēteris Vasks, Kristīne Balanas, Margarita Balanas | D Major | 0 | 10B | 90 BPM | ||
| String Quartet No. 1 in C Major, Op. 37: I. Lento assai - Allegro moderato | Karol Szymanowski, Belcea Quartet | F Major | 2 | 7B | 92 BPM | ||
| Streichquartett No. 3 (2004): (Take 1-98) | Beat Furrer, KNM Berlin, Steffen Tast, Angela Jaffé, Kirstin Maria Pientka, Ringela Riemke | G Major | 3 | 9B | 130 BPM | ||
| Bartók: String Quartet No. 4 in C Major, Sz. 91: IV. Allegretto pizzicato | Béla Bartók, Belcea Quartet | F♯ Major | 1 | 2B | 89 BPM | ||
| Color Field: I. Yellow | Anna Clyne, Baltimore Symphony Orchestra, Marin Alsop | G Major | 1 | 9B | 98 BPM | ||
| FAMA (2004/05) Hörtheater für großes Ensemble, acht Stimmen, Schauspielerin und Klanggebäude: II. Szene (Ensemble) | Beat Furrer, Klangforum Wien | D Major | 4 | 10B | 129 BPM | ||
| Credentials Or Think, Think, Lucky (1960) | Roman Haubenstock-Ramati, Ensemble Avantgarde, Beat Furrer | G Major | 0 | 9B | 102 BPM | ||
| Bene Feast | Estoria | G Major | 1 | 9B | 100 BPM | ||
| Straits of Devastation | Jeremy Soule | G Major | 1 | 9B | 100 BPM | ||
| the little match girl passion: it was terribly cold | David Lang, Theatre Of Voices, Paul Hillier | F Minor | 0 | 4A | 131 BPM | ||
| The Rite of Spring, K015 (Version for 2 Pianos), Pt. 2: XI. Glorification of the Chosen One | Igor Stravinsky, Leif Ove Andsnes, Marc-André Hamelin | A♭ Minor | 1 | 1A | 92 BPM | ||
| Hana Bird | RAURA | F♯ Major | 0 | 2B | 71 BPM | ||
| Te Deum: Te gloriosus Apostolorum chorus | Henrik Ødegaard, Trad., Ensemble 96, Nina T. Karlsen | G Major | 1 | 9B | 100 BPM | ||
| BALLAS VI | Ruthlesskid | D♭ Major | 0 | 3B | 65 BPM | ||
| Piano & Violoncello 6 | Irena And Vojtech Havlovi | G Minor | 1 | 6A | 65 BPM |