Carl Philipp Emanuel Bach, Michael Rische, Leipziger Kammerorchester, Morten Schuldt-Jensen's 'Keyboard Concerto in C Minor, Wq. 31, H. 441: II. Adagio - Presto' had a release date set for August 2, 2011. This song is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. The song is number 8 out of 9 in C.P.E. Bach: Piano Concertos by Carl Philipp Emanuel Bach, Michael Rische, Morten Schuldt-Jensen, Leipziger Kammerorchester. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Keyboard Concerto in C Minor, Wq. 31, H. 441: II. Adagio - Presto's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Keyboard Concerto in C Minor, Wq. 31, H. 441: II. Adagio - Presto by Carl Philipp Emanuel Bach, Michael Rische, Leipziger Kammerorchester, Morten Schuldt-Jensen is Allegro (fast, quick, and bright), since this song has a tempo of 149 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mendelssohn: Songs Without Words, Book IV, Op. 53: No. 4, Adagio, MWV U114 | Felix Mendelssohn, Daniel Adni | F Major | 0 | 7B | 77 BPM | ||
| Oboe d'amore Concerto in D Major: II. Allegro | Christoph Graupner, Lajos Lencsés, Budapest Strings, Karoly Botvay | E Major | 0 | 12B | 76 BPM | ||
| Concerto for 2 Oboes in F Major, Op. 9, No. 3: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | F Major | 3 | 7B | 112 BPM | ||
| 6 String Quartets, Op. 3: No. 5 in D Major: II. Adagio | William Shield, The Dorrit Ensemble | C Minor | 2 | 5A | 136 BPM | ||
| Van Wassenaer: Concerto Armonico No. 2 in B-Flat Major: III. Adagio affettuoso | Unico Wilhelm van Wassenaer, Amsterdam Baroque Orchestra, Ton Koopman | G Minor | 3 | 6A | 78 BPM | ||
| Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | D Major | 2 | 10B | 139 BPM | ||
| Nouvelles suites de pièces de clavecin, Suite in A Minor, RCT 5: V. Fanfarinette | Jean-Philippe Rameau, Mahan Esfahani | B♭ Minor | 3 | 3A | 94 BPM | ||
| Concerto Grosso In F Minor, Op. 1, No. 8: III. Andante | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 99 BPM | ||
| Symphony in D Major: I. Allegro spiritoso | Giovanni Paisiello, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 143 BPM | ||
| Sonata in C Major, Kk. 159 | Domenico Scarlatti, Daniel Barenboim | C Major | 1 | 8B | 177 BPM | ||
| Keyboard Concerto in F Major, Hob. XVIII:3: II. Largo cantabile | Joseph Haydn, Sebastian Knauer, Kolner Kammerorchester, Helmut Müller-Brühl | F♯ Minor | 3 | 11A | 178 BPM | ||
| Quartet in F Major: II. Adagio sustenuto | Friedrich Witt, Consortium Classicum | B♭ Major | 1 | 6B | 120 BPM | ||
| Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
| Solomon, HWV 67: Will the sun forget to streak (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | A Minor | 0 | 8A | 69 BPM | ||
| Hasse: Serpentes ignei in deserto: Introduzione: II. Fugue | Johann Adolf Hasse, Thibault Noally, Les Accents | A Major | 2 | 11B | 83 BPM | ||
| Sinfonia in F major, F. 67: IV. Menuetto I-II | Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | F Major | 0 | 7B | 122 BPM | ||
| Symphony in D Minor, J-C 23: III. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | ||
| Galuppi: Concerto a quattro No. 1 in G Minor: I. Grave e adagio | Baldassare Galuppi, Quartetto Italiano | B♭ Major | 2 | 6B | 92 BPM | ||
| Les Petits Âges - La Muse Naissante: 7ème ordre, 2ème livre | François Couperin, Iddo Bar-Shaï | G Major | 1 | 9B | 71 BPM | ||
| Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 2: No. 2. Rezitativ, "Dort seh' ich aus den Toren" (Baritone) | Carl Philipp Emanuel Bach, Karl Wilhelm Ramler, Il Gardellino, Bart Van Reyn, Andreas Wolf | D Major | 4 | 10B | 124 BPM | ||
| Concerto a cinque No. 3, Op. 7: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | F♯ Minor | 2 | 11A | 98 BPM | ||
| Flute Concerto in A Minor, QV 5:238: II. Arioso ma non troppo | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | A♭ Major | 1 | 4B | 81 BPM | ||
| Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": III. Adagio | Johann Gottlieb Janitsch, Il Gardellino | E Major | 1 | 12B | 60 BPM | ||
| Cello Concerto No. 2 in A Major: III. Rondo. Allegretto | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | E Minor | 1 | 9A | 96 BPM | ||
| The Hebrides, Op. 26: Allegro moderato | Felix Mendelssohn, Leipziger Streichquartett | B Minor | 1 | 10A | 114 BPM |