"Appalachian Spring (Ballet for Martha): Shaker theme, "The Gift to Be Simple," and variations underscoring scenes of daily activity for the bride and groom" by Aaron Copland had its release date on May 11, 1993. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 19 in Composers Conduct Appalachian Spring; The Tender Land: Suite; Fall River Legend by Aaron Copland. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Appalachian Spring (Ballet for Martha): Shaker theme, "The Gift to Be Simple," and variations underscoring scenes of daily activity for the bride and groom is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Appalachian Spring (Ballet for Martha): Shaker theme, "The Gift to Be Simple," and variations underscoring scenes of daily activity for the bride and groom by Aaron Copland is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 9 in E Minor, Op. 95 "From the New World": Largo | Antonín Dvořák, Fritz Reiner | D♭ Major | 0 | 3B | 89 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): X. The Great Gates of Kyiv - Recorded 1987 | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | C Minor | 1 | 5A | 182 BPM | ||
| Country Gardens | Percy Grainger, Martin Jones | E♭ Major | 2 | 5B | 177 BPM | ||
| Gymnopédie No. 1 (Orchestrated by Claude Debussy) - Recorded 1930 | Erik Satie, Serge Koussevitzky, Boston Symphony Orchestra | B♭ Minor | 2 | 3A | 103 BPM | ||
| Alpine Symphony: Sunrise | Richard Strauss, Rico Saccani, Budapest Philharmonic Orchestra | B♭ Minor | 3 | 3A | 81 BPM | ||
| Pictures At An Exhibition: Promenade I | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F Major | 1 | 7B | 79 BPM | ||
| Firebird Suite: Finale | Igor Stravinsky, George Szell, Cleveland Orchestra | D♭ Minor | 0 | 12A | 129 BPM | ||
| Symphony No. 5 in D Minor, Op. 47: II. Allegretto - Live | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | A Minor | 1 | 8A | 64 BPM | ||
| Elgar: Introduction and Allegro, Op. 47: I. Moderato | Edward Elgar, Sir John Barbirolli, Allegri String Quartet, Sinfonia Of London | G Major | 6 | 9B | 100 BPM | ||
| Britten: The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34: Fugue (Allegro molto) | Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Minor | 1 | 8A | 74 BPM | ||
| Wood Notes: I. Singing River: Moderately slow | William Grant Still, Fort Smith Symphony, John Jeter | F Minor | 0 | 4A | 112 BPM | ||
| Montgomery Variations: III. March | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Minor | 0 | 7A | 168 BPM | ||
| Petrouchka / Tableau I: Fête populaire de la semaine grasse | Igor Stravinsky, Cleveland Orchestra, Pierre Boulez | D Minor | 2 | 7A | 116 BPM | ||
| String Quintet in C Major, G. 324 "La musica notturna delle strade di Madrid": V. Ritirata. Maestoso | Luigi Boccherini, Berliner Philharmoniker, Herbert von Karajan | D Minor | 1 | 7A | 130 BPM | ||
| Karelia Suite, Op.11: 1. Intermezzo (Moderato) | Jean Sibelius, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 4 | 5B | 85 BPM | ||
| Scottish Fantasy for Violin and Orchestra, Op. 46: IV. Finale: Allegro guerriero | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 97 BPM | ||
| Toccata & Fugue in D Minor, BWV 565 | Johann Sebastian Bach, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 2 | 7A | 93 BPM | ||
| Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
| Romance in F Minor, Op. 11, B. 39 | Antonín Dvořák, Seiji Ozawa, Itzhak Perlman, Boston Symphony Orchestra | D♭ Major | 1 | 3B | 111 BPM | ||
| Háry János Suite: IV. The Battle and Defeat of Napoleon | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | F Major | 1 | 7B | 84 BPM | ||
| Ye Banks And Braes O' Bonnie Doon | Percy Grainger, Slovak Radio Symphony Orchestra | F Major | 1 | 7B | 78 BPM | ||
| Grand Canyon Suite: 2. The Painted Desert | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | B Minor | 0 | 10A | 129 BPM | ||
| Copland: Symphony No. 3: IV. Molto deliberato (Fanfare) - Allegro risoluto | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | D Major | 2 | 10B | 71 BPM | ||
| Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | G Minor | 2 | 6A | 146 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM |