Humane Sagar's ' "To Pari Jhia Tia" was released on its scheduled release date, December 29, 2025. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since To Pari Jhia Tia only contains only one song in the album, we like to consider this song as a single. In terms of popularity, To Pari Jhia Tia is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With To Pari Jhia Tia by Humane Sagar having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jeebana Ta Lage - From "Biswanath" | Sohini Mishra, Abhijit Majumdar, Humane Sagar | F♯ Major | 8 | 2B | 110 BPM | ||
| Saga Pakhala - From "Kahibini Tate I Love You" | Humane Sagar, Arpita Choudhury, Baidyanath Dash, Lubun-Tubun | G Major | 9 | 9B | 140 BPM | ||
| Singhaduaraku Mana Mo Pain | Sourav Bharadwaj, Sujata Nayak | C Major | 9 | 8B | 90 BPM | ||
| Desi Torani | Swayam Padhi, Subhalaxmi Dash | C Major | 9 | 8B | 90 BPM | ||
| To Premare Heli Bandini | S Jitu, Sital Kabi | C Minor | 8 | 5A | 123 BPM | ||
| Dil Churala | Swagatika Tripathy | A♭ Minor | 9 | 1A | 154 BPM | ||
| KENO AHE TOR BINA | Amrit Tanti, Dipjyoti Mahli | F♯ Major | 5 | 2B | 93 BPM | ||
| Sola Bayasi | Antara Chakraborty | C Major | 9 | 8B | 90 BPM | ||
| Sanja Naingale | Debashis | D Minor | 6 | 7A | 144 BPM | ||
| Malli Fule Naina Basa | Ruku Suna, Saismita | D Major | 9 | 10B | 84 BPM | ||
| Amre Mone Jhaliyena | Sagun Hembram | C Major | 4 | 8B | 90 BPM | ||
| Mor Zindegi - Orginal | Basanta Kumar Bisoi, Kiran Khora | B♭ Minor | 9 | 3A | 150 BPM | ||
| Mal Mahu Jiban Mati (Title Track) - From "Mal Mahu Jiban Mati" | Abhijit Majumdar, Humane Sagar | F♯ Major | 10 | 2B | 140 BPM | ||
| Dil Diwana Kaeen Hela( Sad Title-Male) | R. S. Kumar | F♯ Major | 9 | 2B | 77 BPM | ||
| Prathama Prema | Saroj Pattanayak, Humane Sagar, Pragyan Hota | A Major | 7 | 11B | 128 BPM | ||
| Phaguna Re Phaguna | Jyotirmayee Nayak, Humane Sagar | A Minor | 9 | 8A | 156 BPM | ||
| Radhe Krishna Radhe Govinda | Umakanta Barik, Pallavi Nayak | B♭ Minor | 10 | 3A | 72 BPM | ||
| Aakhri Mohabbat | SK Sonu Turi, Laxmi Dubey, Pragati Priya | A♭ Minor | 5 | 1A | 110 BPM | ||
| Charu Chandrama | Ruku Suna, Swagatika Tripathy | B♭ Minor | 9 | 3A | 130 BPM | ||
| Malli Atara | Ashish Kumbhar, Saismita Nayak | C Major | 9 | 8B | 90 BPM | ||
| To Pain Sathire (From "Tora Mora Prema") | Gaurav Anand, Arpita Choudhury | E Major | 8 | 12B | 90 BPM | ||
| JHUM JHUM JHUMRA | ASHISH KUMBHAR, Swagatika Tripathy | D♭ Major | 9 | 3B | 83 BPM | ||
| Mate Pagala Kalu | S. Jitu, Rashmirekha Mishra | A♭ Minor | 9 | 1A | 159 BPM | ||
| Chhina Chhina Sanga | Umakanta Barik, RABI RATNA BAG | F♯ Minor | 9 | 11A | 114 BPM | ||
| Rakhithili Manataku Saiti | Sambit Kumar Mohanty, Humane Sagar, Arpita Choudhury | A♭ Minor | 6 | 1A | 95 BPM |