Traditional, Ricardo Ribeiro, Miguel Amaral, Marco Oliveira's ' "Olhos Estranhos (Fado Corrido)" was released on its scheduled release date, November 10, 2017. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Olhos Estranhos (Fado Corrido)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 20 in From Baroque to Fado: A Journey Through Portuguese Music by Os Músicos do Tejo, Marcos Magalhaes. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Olhos Estranhos (Fado Corrido)'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Olhos Estranhos (Fado Corrido) by Traditional, Ricardo Ribeiro, Miguel Amaral, Marco Oliveira is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hodie Christus Natus Est | Traditional, Poor Clare Sisters Arundel, Juliette Pochin, James Morgan, Adrian Bradbury | F Major | 2 | 7B | 82 BPM | ||
| Confitemini Domino, IAC 1 | Alessandro Constantini, Pro Musica, Szabó Dénes | A Minor | 1 | 8A | 133 BPM | ||
| Der Nussknacker, Op. 71: VIII. Im Tannenwald | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, Markus Poschner | C Major | 2 | 8B | 108 BPM | ||
| MAGNIFICAT: VII. Gloria Patri | Kim André Arnesen, TrondheimSolistene, Anita Brevik, Nidarosdomens jentekor, Lise Granden Berg, Magne H. Draagen, Maria Næss | A Minor | 1 | 8A | 173 BPM | ||
| The Twelve Days: Greensleeves - What Child Is This? | Sue Richards, Maggie Sansone | A Minor | 1 | 8A | 127 BPM | ||
| My Love’s an Arbutus | Mornington Singers | B♭ Major | 1 | 6B | 82 BPM | ||
| Time | Vokalensemble incantanti | D Minor | 1 | 7A | 79 BPM | ||
| Set Me as a Seal | The Wartburg Choir, Dr. Lee Nelson | D Major | 2 | 10B | 107 BPM | ||
| Cradle Hymn | Kim André Arnesen, Kantorei, Alicia Rigsby, Joel Rinsema | D♭ Major | 0 | 3B | 174 BPM | ||
| Celestial Reflections | Gregorian Chanting Monks, The Chanting Monk | E Minor | 1 | 9A | 79 BPM | ||
| Mass of the Americas: I. El cantico del alba | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | B♭ Minor | 2 | 3A | 73 BPM | ||
| Memorare | The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr | F Major | 0 | 7B | 131 BPM | ||
| Missa Brevis: Sanctus | The Schola Cantorum of St. John XXIII Parish | E Minor | 3 | 9A | 79 BPM | ||
| Pange Lingua Gloriosi: Chant Mode III | Chant Mode III, St. Thomas Aquinas, Catherine Bridge, Pam Erven-Sukonik, Kari Ferguson, Katherine Fitzgibbon, Anna Haagenson, Maria Karlin, Emily Kinkley, Stephanie Kramer, Catherine van der Salm, Angela Westhoff-Johnson | C Minor | 0 | 5A | 123 BPM | ||
| Making or Breaking | Kim André Arnesen, Wendi Sue Grover, Kantorei, John Gunther, Joel Rinsema | D Major | 2 | 10B | 102 BPM | ||
| The Three Drovers - Arr. Luke Byrne and Lyn Williams | William G. James, John Wheeler, Gondwana Voices, Christina Leonard, Jem Harding, Genevieve Lang, Jess Ciampa, Maria Lindsay, Emma Jardine, Nicole Forsyth, Kristy Conrau, Jaan Pallandi, Lyn Williams | G Major | 2 | 9B | 123 BPM | ||
| Hymnus Eucharisticus | The Choir of Magdalen College, Oxford, Mark Williams | A Minor | 2 | 8A | 106 BPM | ||
| Quis est homo | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Thomas Berg-Juul | D Major | 2 | 10B | 113 BPM | ||
| Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
| Requiem for the Living: V. Lux Aeterna | Providence Singers, Christine Noel, Kilian Mooney | G Major | 1 | 9B | 86 BPM | ||
| All Is Calm | Christi Stills | B♭ Major | 2 | 6B | 92 BPM | ||
| Chtic aby spal (Sweet Mary Lulls her Babe to Sleep) [arr. P. Fiala for voice, chorus and orchestra] | Adam Václav Michna z Otradovic, Martina Jelínková, Czech Philharmonic Choir, Brno, Czech Chamber Soloists, Brno, Petr Fiala | B♭ Major | 1 | 6B | 80 BPM | ||
| Winter Wedding Dance | Thomas Hewitt Jones & The Chamber Orchestra of London | G Minor | 3 | 6A | 110 BPM | ||
| 2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| Magnificat in C Major: I. Magnificat anima mea | Johann Kuhnau, Solomon's Knot | B Major | 2 | 1B | 88 BPM |