"Nothing Is Too Wonderful to Be True" by Bill Charlap, Sherie Rene Scott had its release date on June 18, 2013. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 2 in the song's album "The Folks Who Live On The Hill". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Nothing Is Too Wonderful to Be True is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Nothing Is Too Wonderful to Be True by Bill Charlap, Sherie Rene Scott having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You'd Be So Nice to Come Home To | Tate Jackson Trio | A Minor | 3 | 8A | 126 BPM | ||
| Nip-Hoc Waltz (Homage to Chopin) | Warren Vaché, Bill Charlap | A♭ Major | 3 | 4B | 68 BPM | ||
| I Can't Stop Lovin | Williamsburg Quartet | B Major | 1 | 1B | 94 BPM | ||
| Nancy (With The Laughing Face) | John Coltrane Quartet | F Major | 1 | 7B | 116 BPM | ||
| Turpentine | Robert Elovsson Quartet | C Minor | 3 | 5A | 125 BPM | ||
| It's Love | Sarah Vaughan | A♭ Major | 5 | 4B | 125 BPM | ||
| Autumn In New York | John Stetch | A Major | 2 | 11B | 80 BPM | ||
| My Ideal | Kenny Barron Trio | F Minor | 3 | 4A | 95 BPM | ||
| The Way You Look Tonight | Gene Hart Trio | C Major | 2 | 8B | 117 BPM | ||
| Blue Orchids | Bill Charlap, Frank Wess | C Minor | 0 | 5A | 130 BPM | ||
| Wonder Why | Cedar Walton | F Major | 1 | 7B | 75 BPM | ||
| Love Is Here To Stay | Bill Charlap | F♯ Minor | 0 | 11A | 82 BPM | ||
| Chelsea Bridge | Tommy Flanagan Trio | F Minor | 4 | 4A | 116 BPM | ||
| Sophisticated Lady | Bill Charlap Trio | A♭ Major | 2 | 4B | 99 BPM | ||
| Romance / Hommage à Milhaud | Enrico Pieranunzi, André Ceccarelli, Diego Imbert | B♭ Major | 2 | 6B | 109 BPM | ||
| My Romance | Gene Ammons | D♭ Major | 0 | 3B | 95 BPM | ||
| Born To Be Blue | Tommy Flanagan Trio | D Minor | 1 | 7A | 115 BPM | ||
| So Lovely | Ben Wolfe | E♭ Minor | 1 | 2A | 95 BPM | ||
| Time After Time | John Coltrane | E♭ Major | 2 | 5B | 91 BPM | ||
| Over The Rainbow | Jon Gordon, Bill Charlap | D♭ Major | 0 | 3B | 115 BPM | ||
| I'll Be Seeing You | Phillip Love | F Minor | 1 | 4A | 114 BPM | ||
| She's Funny That Way / Memories of You / I Surrender Dear | Ray Bryant | G Minor | 1 | 6A | 84 BPM | ||
| Limehouse blues | Grant Stewart, Joe Cohn, Bill Charlap, Paul Gill, Willie Jones III | C Major | 5 | 8B | 92 BPM | ||
| Ruby, My Dear | Thelonious Monk, John Coltrane | B♭ Major | 1 | 6B | 66 BPM | ||
| It Ain’t Necessarily So | Mary Lou Williams | E Minor | 1 | 9A | 126 BPM |