"Back To Work For The Peaky Blinders" by Antony Genn, Martin Slattery had its release date on June 12, 2020. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 58 in the song's album "Peaky Blinders Series 4 Original Score". In this album, this song's track order is #56. Furthermore, we believe that the track originated from United Kingdom. Back To Work For The Peaky Blinders is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Back To Work For The Peaky Blinders by Antony Genn, Martin Slattery having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cold Wind Blowin' | The Barrows | E Minor | 5 | 9A | 180 BPM | ||
| Something In The Way (From 'The Batman' Main Trailer) - Epic Version | Baltic House Orchestra | F♯ Major | 5 | 2B | 113 BPM | ||
| A Bullet in Time | Jon Opstad | F Minor | 2 | 4A | 88 BPM | ||
| Martha Suite | Evgueni Galperine, Sacha Galperine | C Minor | 1 | 5A | 135 BPM | ||
| Tommy And Lizzie | Antony Genn, Martin Slattery | A Minor | 1 | 8A | 83 BPM | ||
| Billy's Lair | Tyler Bates | A Major | 6 | 11B | 75 BPM | ||
| Soldier Field | Rob Simonsen | B♭ Major | 4 | 6B | 120 BPM | ||
| Got Him | Martin Phipps | A♭ Minor | 2 | 1A | 100 BPM | ||
| Stand Up For Magne | Lars Wissing | F Major | 1 | 7B | 107 BPM | ||
| Homecoming | Ruth Barrett | E Minor | 2 | 9A | 138 BPM | ||
| That's It | Danny Bensi and Saunder Jurriaans | A Minor | 1 | 8A | 66 BPM | ||
| Thirty Horses | Carlos Rafael Rivera | F Minor | 3 | 4A | 110 BPM | ||
| Informing The Target | Zack Hemsey | G Major | 4 | 9B | 90 BPM | ||
| Tilden | Danny Bensi, Saunder Jurriaans | F Major | 1 | 7B | 103 BPM | ||
| The Calm Before the Storm | Guillaume Roussel | E Minor | 1 | 9A | 80 BPM | ||
| Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2, "Moonlight": I. Adagio sostenuto - S A Y C E T Rework | Saycet | D♭ Major | 2 | 3B | 144 BPM | ||
| Loverman | Nick Cave & The Bad Seeds | F Minor | 5 | 4A | 139 BPM | ||
| The Autopsy | Christopher Young | D Minor | 2 | 7A | 115 BPM | ||
| Fake News | Christopher Lennertz | B♭ Minor | 6 | 3A | 170 BPM | ||
| Your Royal Highness | Martin Phipps | E Minor | 3 | 9A | 121 BPM | ||
| No Matter | Luke Truan | C Minor | 3 | 5A | 83 BPM | ||
| The Unique Method | Chris Benstead | F Major | 4 | 7B | 135 BPM | ||
| Burn The Witch | Queens of the Stone Age | D Major | 8 | 10B | 125 BPM | ||
| Voyage to the Bottom of the C (Main Title) | Marco Beltrami, Brandon Roberts | C Major | 4 | 8B | 74 BPM | ||
| Of What Remains | nobuka | E Major | 0 | 12B | 68 BPM |