Riley Koenig's ' "Planet Spaghetti" was released on its scheduled release date, January 16, 2018. With This song being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Riley Koenig's "Gastrobots (Original Soundtrack)" album is number 20 out of 25. Planet Spaghetti is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Planet Spaghetti by Riley Koenig to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Keen Tactician | Riley Koenig | E Minor | 4 | 9A | 100 BPM | ||
| 物資奪取作戦 | Kenji Kawai | E♭ Major | 2 | 5B | 140 BPM | ||
| Battle In The Base - Alert Phase | Norihiko Hibino | C Minor | 5 | 5A | 113 BPM | ||
| Planet Stirfry | Riley Koenig | G Major | 8 | 9B | 115 BPM | ||
| Amsterdam | Seyran Nasirov, Kansolong | B♭ Major | 3 | 6B | 100 BPM | ||
| Daily Commute | The Inspire | A Minor | 2 | 8A | 180 BPM | ||
| The Empty Carriage | The 1999 | B♭ Minor | 7 | 3A | 90 BPM | ||
| Hollow Mirage | Lirika Z | B♭ Minor | 3 | 3A | 125 BPM | ||
| Epoch (Map) | Aaron Cherof | D♭ Major | 3 | 3B | 138 BPM | ||
| Lacrimae (Tears to Remember) | Son Of a Die | A Minor | 4 | 8A | 94 BPM | ||
| Polytrope (Intro) | Aaron Cherof | E♭ Major | 2 | 5B | 77 BPM | ||
| Ture Nature of Kaya-chan | KOHTA YAMAMOTO | B♭ Minor | 7 | 3A | 90 BPM | ||
| Same Same but Different | Carsten Litfin, Intervox Music | G Minor | 4 | 6A | 180 BPM | ||
| 無理難題 | Yugo Kanno | B♭ Minor | 7 | 3A | 90 BPM | ||
| Evergreen Reverie | Claw and Order | G Major | 4 | 9B | 100 BPM | ||
| Brilliant Combat | Infinity Nikki, FoldEcho | F Major | 7 | 7B | 125 BPM | ||
| Empty Phenomena I | The 1999 | B♭ Minor | 7 | 3A | 90 BPM | ||
| A Rising Dread | Benjamin Young | C Minor | 2 | 5A | 80 BPM | ||
| Void Walk | HOYO-MiX | B♭ Minor | 7 | 3A | 90 BPM | ||
| Folie et Déraison | The 1999 | B♭ Minor | 7 | 3A | 90 BPM | ||
| Donkey Kong Country: Aquatic Ambience | Everrune | D Minor | 4 | 7A | 111 BPM | ||
| Maarla's Mantle | Fat Bard | F Minor | 1 | 4A | 90 BPM | ||
| Asombroso | Sebastián Cardona Hernández | C Major | 1 | 8B | 75 BPM | ||
| All In | 健康合作社 | G Minor | 4 | 6A | 85 BPM | ||
| Edge Wood | Thomas Brush | A♭ Minor | 2 | 1A | 105 BPM |