Danny Elfman's 'Shades Of Grey - From "Fifty Shades Of Grey" Score' had a release date set for February 13, 2015. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Shades Of Grey - From "Fifty Shades Of Grey" Score's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 16 in Fifty Shades Of Grey (Original Motion Picture Score) by Danny Elfman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Shades Of Grey - From "Fifty Shades Of Grey" Score's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Shades Of Grey - From "Fifty Shades Of Grey" Score by Danny Elfman is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Morning | Bill Brown | A Minor | 1 | 8A | 176 BPM | ||
| Love and Imagination | Max Richter | C Major | 2 | 8B | 120 BPM | ||
| The Proposal | Steven Price | C Major | 4 | 8B | 120 BPM | ||
| Funky Bones 2 Pt. 2 | Mike Mogis, Nathaniel Walcott | F♯ Major | 0 | 2B | 117 BPM | ||
| The Portrait Is Revealed | Rachel Portman | D Minor | 0 | 7A | 63 BPM | ||
| Hell Hath No Fury | Rupert Gregson-Williams | B Minor | 5 | 10A | 90 BPM | ||
| Flesh And Bone: Dakini: Movement I and II | Adam Crystal | C Minor | 3 | 5A | 100 BPM | ||
| Becoming a Geisha | John Williams, Yo-Yo Ma, Itzhak Perlman | A Minor | 4 | 8A | 120 BPM | ||
| "One Small Fact" | John Williams | A♭ Minor | 1 | 1A | 131 BPM | ||
| How I Love You Now | Mark Isham | A Minor | 0 | 8A | 84 BPM | ||
| A Spat | Danny Elfman | B Minor | 1 | 10A | 140 BPM | ||
| The Spell That Left A Curse | thenewno2 | A Minor | 3 | 8A | 130 BPM | ||
| Are You Punishing Me? | Rachel Portman | G Minor | 1 | 6A | 131 BPM | ||
| She Was Different | David Arnold, Michael Price | A♭ Major | 2 | 4B | 77 BPM | ||
| Making Up | Mark Isham | D♭ Minor | 0 | 12A | 82 BPM | ||
| Trinity Definitely | Don Davis | B♭ Minor | 1 | 3A | 69 BPM | ||
| Boardroom | Theodore Shapiro | D♭ Minor | 0 | 12A | 80 BPM | ||
| I Love You Dad | Andrew Lockington | D Major | 5 | 10B | 138 BPM | ||
| The Clave's Curse | Atli Örvarsson | D Major | 4 | 10B | 83 BPM | ||
| Ana and Christian - Heavy Mellow Remix (From Fifty Shades Of Grey Remixed) | Danny Elfman | B Minor | 3 | 10A | 87 BPM | ||
| Lamia's Doll | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | A Major | 3 | 11B | 87 BPM | ||
| When I'm Gone | Samuel Sim | C Minor | 0 | 5A | 69 BPM | ||
| The Funeral | Javier Navarrete | D Minor | 2 | 7A | 102 BPM | ||
| Death of Vesper (From "Casino Royale" Soundtrack) | David Arnold | E Minor | 1 | 9A | 77 BPM | ||
| Flicking Through Time | Éric Serra | G Minor | 2 | 6A | 90 BPM |