"Come Sunday" by Reverie Trio had its release date on June 28, 2024. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Come Sunday's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Come Sunday and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. In terms of popularity, Come Sunday is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Come Sunday by Reverie Trio is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Farms and fields | Brandon's Three | A♭ Major | 1 | 4B | 112 BPM | ||
| Things to Come | Herman Anderson | A Minor | 2 | 8A | 101 BPM | ||
| A Lovely Way To Spend An Evening | Figgy Mold | F Major | 1 | 7B | 114 BPM | ||
| Brus | Öresund | E♭ Minor | 1 | 2A | 104 BPM | ||
| Pastel Phase | Edward Blythe, Razz T | A Major | 0 | 11B | 124 BPM | ||
| Blended Backgrounds | Højsgaard, Linnéa Villén | C Major | 0 | 8B | 124 BPM | ||
| Silver Starlings | Andy Luma Trio | B♭ Major | 1 | 6B | 104 BPM | ||
| Fun to Be Fooled | Karl-Erik Trio | G Major | 1 | 9B | 89 BPM | ||
| Summertime | Jonas Kahnberg, Razz T | D Minor | 1 | 7A | 104 BPM | ||
| In The Wee Small Hours Of The Morning | Greydon Park Band | D♭ Major | 2 | 3B | 106 BPM | ||
| Brooklyn Lights | Seth Bluebird | E♭ Major | 0 | 5B | 50 BPM | ||
| Black Water | Stockholm Whereabouts | A Minor | 1 | 8A | 105 BPM | ||
| Malte's Song | Reverie Trio, Rasmus H Thomsen | B♭ Minor | 4 | 3A | 106 BPM | ||
| When Clouds Are Grey | Højsgaard | F Major | 1 | 7B | 119 BPM | ||
| I'll Find A Way | Meadow Park | D Minor | 1 | 7A | 124 BPM | ||
| The Last Hug | The Last Of The Romantics | E♭ Minor | 2 | 2A | 126 BPM | ||
| Love Coma | Winston Church | E♭ Major | 0 | 5B | 68 BPM | ||
| Dreams Comes | Razz T | F Major | 1 | 7B | 114 BPM | ||
| The Song Is You | Reverie Trio | C Major | 2 | 8B | 116 BPM | ||
| Tidal Wave | Chords & Scales | F Major | 1 | 7B | 35 BPM | ||
| Stellar | Yorkville | F Minor | 1 | 4A | 104 BPM | ||
| Crystal Silence | SE-Quartet, David Ehrlin, Rasmus H Thomsen, Krydda Sundström, Antti Ojala | A Minor | 1 | 8A | 109 BPM | ||
| Presumptuous of you | Gottfried Barber Trio | F Major | 2 | 7B | 63 BPM | ||
| Day Dreams | Reverie Trio | B Major | 1 | 1B | 74 BPM | ||
| Everybody Wants to Be a Cat (From "Aristocats”) | Noir Collective | C Minor | 2 | 5A | 63 BPM |