George Martin's 'The Bond Suite' had a release date set for 1974. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 7 in Beatles to Bond and Bach by George Martin. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, The Bond Suite's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Bond Suite by George Martin is Vivace (lively and fast), since this song has a tempo of 159 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Sting | Audrey, the Hepburns | B Minor | 2 | 10A | 110 BPM | ||
| The Tomorrow People (The Original TV Music) | Dudley Simpson | A Minor | 4 | 8A | 96 BPM | ||
| Pepperland Laid Waste - Remastered 2009 | George Martin | A♭ Minor | 1 | 1A | 82 BPM | ||
| Now, Voyager | Charles Gerhardt, National Philharmonic Orchestra | A Major | 3 | 11B | 101 BPM | ||
| Stridulum Theme | Franco Micalizzi | B♭ Major | 6 | 6B | 158 BPM | ||
| Theme from "Is Paris Burning?" | Geoff Love & His Orchestra | C Major | 3 | 8B | 176 BPM | ||
| Training Hard / Russian Moon | Bill Conti | E Minor | 3 | 9A | 117 BPM | ||
| Also sprach Zarathustra, Op. 30, TrV 176: Prelude (Sonnenaufgang) | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 77 BPM | ||
| The Lonely Bull | Mexican Border Brass Ensemble | C Major | 6 | 8B | 129 BPM | ||
| The New Godfather | Nino Rota, Carlo Savina | E Minor | 1 | 9A | 53 BPM | ||
| Fargo North Dakota | Brussells Philharmonic, Dirk Brossé | A Minor | 1 | 8A | 108 BPM | ||
| Star Trek: Deep Space Nine - Main Title | Dennis McCarthy | C Major | 2 | 8B | 66 BPM | ||
| Banditen-Thema - From "Winnetou III" | Martin Böttcher | B Minor | 6 | 10A | 140 BPM | ||
| Mesačný svit - Instrumental version | Miro Žbirka, Karlovarský Symfonický Orchestr | D Major | 3 | 10B | 76 BPM | ||
| The Taking of Pelham 123 (Main Title) | Czech Philharmonic Chamber Orchestra | B♭ Minor | 7 | 3A | 176 BPM | ||
| Girl in a Sportscar | Alan Hawkshaw | F♯ Major | 5 | 2B | 95 BPM | ||
| Fanfare for the Common Man (Single Edit) | Emerson, Lake & Palmer | C Major | 4 | 8B | 73 BPM | ||
| Tending To Huey | Peter Schickele | A Minor | 0 | 8A | 92 BPM | ||
| Theme From: The Go-Between - from the motion picture "The Go-Between" | Michel Legrand And His Orchestra | D Minor | 6 | 7A | 89 BPM | ||
| Asteroid (Pearl & Dean Theme) - Full Length | Pearl & Dean | A♭ Major | 8 | 4B | 104 BPM | ||
| Nuclear Scam | Basil Poledouris | G Major | 3 | 9B | 135 BPM | ||
| Austin's Theme | James Taylor Quartet | F Major | 8 | 7B | 148 BPM | ||
| Licence Revoked | National Philharmonic Orchestra | C Major | 4 | 8B | 128 BPM | ||
| The Conversation (Main Theme from "The Conversation") | David Shire | D Minor | 1 | 7A | 73 BPM | ||
| Main Theme from "The Saint" | Edwin Astley & His Orchestra | A♭ Major | 5 | 4B | 175 BPM |