Runa Laila's ' "Chidiyan Da Chamba – Traditional" was released on its scheduled release date, March 23, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Runa Laila's "Kala Sha Kala" album is number 1 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Chidiyan Da Chamba – Traditional's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Chidiyan Da Chamba – Traditional by Runa Laila to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mere Jaesi Haseena | Sharon Prabhakar, Bappi Lahiri | F♯ Minor | 7 | 11A | 109 BPM | ||
| Dil Dhundta Hai Commentary - Gulzar | Bhupinder Singh, Gulzar | D Major | 3 | 10B | 85 BPM | ||
| Mere Bachpan Ke Saathi | Noor Jehan | C Minor | 4 | 5A | 144 BPM | ||
| Bhanware Ki Gunjan | Kishore Kumar | E♭ Major | 4 | 5B | 82 BPM | ||
| Mausam Hai Ashiqana | Lata Mangeshkar | F Major | 4 | 7B | 121 BPM | ||
| Saiyan Dil Mein Aana Re | Shamshad Begum | C Major | 4 | 8B | 103 BPM | ||
| Too Nahin To Zindagi Mein Aur Kya Rah Gaya | Chitra Singh | B Major | 3 | 1B | 109 BPM | ||
| Phir Wohi Raat Hai Khwab Ki (From "Ghar") | Kishore Kumar | B♭ Major | 6 | 6B | 93 BPM | ||
| Chham Chham Baje Re Payaliya | Manna Dey | A♭ Minor | 6 | 1A | 109 BPM | ||
| Shonibar Gela Robibar Gelo - Original Motion Picture Soundtrack | Runa Laila, Mahamudun Nodi | C Major | 3 | 8B | 123 BPM | ||
| PIYA BAWRI PIYA BAWRI | Asha Bhosle, Ashok Kumar | A Major | 7 | 11B | 112 BPM | ||
| Main Pal Do Pal Ka Shair Hoon With Dialogue By Amitabh | Amitabh Bachchan, Mukesh | F Major | 4 | 7B | 129 BPM | ||
| Yaad Aa Raha Hai | Bappi Lahiri | E♭ Major | 6 | 5B | 134 BPM | ||
| Sham Rangeen Hui Hai | Suresh Wadkar, Usha Mangeshkar | F Major | 5 | 7B | 105 BPM | ||
| Aap Jinke Kareeb Hote Hain | Pankaj Udhas | G Major | 4 | 9B | 98 BPM | ||
| Leke Pahla Pahla Pyar | O. P. Nayyar, Majrooh Sultanpuri | E♭ Minor | 5 | 2A | 100 BPM | ||
| Waqt Ne Kiya Kya Haseen Sitam | Geeta Dutt | D♭ Major | 3 | 3B | 93 BPM | ||
| Tere Zulfe Khulgayi | Subir Nandi, Runa Laila | A Minor | 7 | 8A | 94 BPM | ||
| Khoye Khoye Rahe Teri | Kalyanji-Anandji, Kishore Kumar, Anuradha Paudwal | D Minor | 7 | 7A | 128 BPM | ||
| Aayee Zanjeer Ki Jhankar, Pt. 1 | Kabban Mirza | E♭ Major | 5 | 5B | 91 BPM | ||
| Mere Piya Gaye Rangoon | Shamshad Begum, C. Ramchandra | D Major | 7 | 10B | 143 BPM | ||
| Le Chal Mere Jeevan Saathi | Hemlata, Mukesh, Kalyanji-Anandji | D Minor | 3 | 7A | 130 BPM | ||
| Dam Bhar Jo Udhar | Mukesh | F♯ Major | 1 | 2B | 128 BPM | ||
| Eikhane Dujone Nirojone | Andrew Kishore, Runa Laila | B♭ Minor | 8 | 3A | 148 BPM | ||
| Ding Dong O Baby Sing | Anuradha Paudwal, Manhar Udhas, Laxmikant–Pyarelal | A Major | 8 | 11B | 94 BPM |