Bohuslav Martinů, Roco, Timothy Jones, Mei-Ann Chen, Andrew Bradley's ' "Toccata e Due Canzoni: II. Canzone No. 1" was released on its scheduled release date, February 1, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "ROCO in Concert: October 2011". In this album, this song's track order is #2. Based on our statistics, Toccata e Due Canzoni: II. Canzone No. 1's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Toccata e Due Canzoni: II. Canzone No. 1 by Bohuslav Martinů, Roco, Timothy Jones, Mei-Ann Chen, Andrew Bradley having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| String Quartet no.2, op.10: 1. Allegro | Zoltán Kodály, Hagen Quartett | D Minor | 1 | 7A | 79 BPM | ||
| Piano Sonata in G Minor: II. Scherzo | Fanny Mendelssohn, Beatrice Rauchs | F♯ Major | 0 | 2B | 71 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | D♭ Major | 1 | 3B | 59 BPM | ||
| King Kristian II, Op. 27: III. Musette | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | A Minor | 3 | 8A | 70 BPM | ||
| Horn Concerto, Op. 58: II. Scherzo | Ruth Gipps, Martin Owen, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 47 BPM | ||
| Half-Time, Rondo for Large Orchestra, H. 142 | Bohuslav Martinů, Filharmonie Brno, Petr Vronsky | F Major | 3 | 7B | 66 BPM | ||
| Horn Trio in E-Flat Major, Op. 40: II. Scherzo (Allegro - Molto meno Allegro) | Johannes Brahms, Isabelle Faust, Alexander Melnikov, Teunis van der Zwart | A Major | 0 | 11B | 88 BPM | ||
| Serenade for Strings in E Major, B.52: IV. Larghetto | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | A Major | 0 | 11B | 72 BPM | ||
| Double Concerto for Two String Orchestras, Piano and Timpani: V. Allegro | Bohuslav Martinů, Czech Radio Symphony Orchestra, Sir Charles Mackerras, Josef Růžička, Jan Bouse | C Minor | 1 | 5A | 102 BPM | ||
| Chamber Symphony No. 5 in A-Flat Major, Op. 118a: IV. Allegretto | Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal | C Minor | 0 | 5A | 121 BPM | ||
| An die Musik, D. 547 (transcribed for cello and piano by Thedéen & Shirinyan) | Franz Schubert, Marianna Shirinyan, Torleif Thedéen | D Major | 0 | 10B | 132 BPM | ||
| Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Copland: Symphony No. 3: III. Andantino quasi allegretto - | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | E Minor | 0 | 9A | 71 BPM | ||
| Svanevit Suite, Op. 54: III. Tärnorna med rosor | Jean Sibelius, Finnish Radio Symphony Orchestra, Nicholas Collon | C Major | 1 | 8B | 85 BPM | ||
| Concerto for Viola and Orchestra: I. Andante comodo | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 1 | 8A | 103 BPM | ||
| Piano Concerto No. 1, BB 91, Sz. 83: I. Allegro moderato - Allegro | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | G Major | 3 | 9B | 124 BPM | ||
| Poulenc: Clarinet Sonata, FP 184: II. Romanza | Francis Poulenc, Sabine Meyer | G Minor | 0 | 6A | 67 BPM | ||
| Nonetto (1959): 1. Poco allegro | Bohuslav Martinů, Wolfgang Schulz, Hansjorg Schellenberger, Karl Leister, Milan Turkovic, Günter Högner, Gerhart Hetzel, Wolfram Christ, Georg Faust, Alois Posch | B♭ Major | 2 | 6B | 99 BPM | ||
| Bartók / Arr. Székely for Violin and Piano: 6 Romanian Folk Dances, Sz. 56: No. 1, Jocul cu bâtă | Béla Bartók, Vadim Repin | C Major | 3 | 8B | 165 BPM | ||
| Schubert: Arpeggione Sonata in A Minor, D. 821: II. Adagio | Franz Schubert, András Schiff, Miklós Perényi | E Minor | 1 | 9A | 73 BPM | ||
| From the Bohemian Forest, Op. 68: No. 5, Waldesruhe (Version for Cello and Orchestra) | Antonín Dvořák, Raphaël Jouan, Orchestre national de Metz Grand Est, David Reiland | E Minor | 1 | 9A | 73 BPM | ||
| Sinfonietta Giocosa for piano and small orchestra | Bohuslav Martinů, Dennis Hennig, Australian Chamber Orchestra, Charles Mackerras | E♭ Major | 1 | 5B | 145 BPM | ||
| Theme and Variations, Op. 42 | Erich Wolfgang Korngold, John Wilson, Sinfonia Of London | B Major | 0 | 1B | 87 BPM | ||
| Falla: 4 Piezas españolas: No. 3, Montañesa | Manuel de Falla, Jean-François Heisser | D Major | 0 | 10B | 65 BPM | ||
| Fantasia & Fugue in G Minor, BWV 542 "The Great" (Arr. for Orchestra by Sir Andrew Davis): I. Fantasia | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM |